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An Austin-based designer and a member of Bloodbath Studios, she is a true couturier. Her work is absolutely refined.
I recently featured her in the lineup for the first runway show I produced (via Glaze Zine), and everything she brought was either covered in ostrich feathers or crafted from wigs and hair extensions. Every piece was fully lined, and every detail was flawlessly finished.
I cannot recommend browsing her work enough.
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My friend Carly Mark is a genius artist, making work about the female gaze, body horror and conspicuous consumption. But now you can conspicuously consume Puppets and Puppets, the high meets low endless design experiment she’s running like it’s Gucci in the Tom Ford era only EVERYONE is invited. Gender, size- she’s blowing up all the binaries of fashion. It ain’t cheap, but the prices reflect couture level production, fascinating fabrics and playfully sinister details (a demure Mary Jane with a wooden wedge of cheese for a heel, a chic little purse with a resin black and white cookie slapped on its front in place of logo hardware.) This is high fashion for the kid who liked to layer macaroni necklaces, for the former Emily The Strange who now works in branding, for any person who wants to add “art witch” to their resume. Carly has made me a few dresses and whenever I wear them, I feel like I can change the world with the power embedded in the layered skirts. It’s also so genderfluid that my husband can (and does) steal.
Jan 3, 2023
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I loved the exhibition which presented Madame Grès and Azzedine Alaïa's pieces in conversation. This bit of the exhibition text struck a note:
"When you find something that is personal and unique," said Madame Gres, "you must make the fullest possible use of it, pursuing its realisation wichout stopping until the end." Alaia echoed her words years later: "When an idea comes into your mind, you must capture it with a lasso and circle around it relentlessly."
I liked how they saw couture as sculpture and I wondered if I should experiment with the sewing machine next. Something I am already considering. The place itself was small but lovely, with one of the most beautifu, cosy and quiet terrasses I have seen in a while, and well populated only by fashionable folks. Something similar to something I should open in Karachi, with artist studios upstairs perhaps. Grès' photographs of her dresses worn also touched me. I wonder how much of capturing imagination is image creation, and if this is a sign I should start experimenting with film now that I have an array of lenses from M. Chacha.
Grès' story was also remarkable to me because of her true love for creation and art, and how she just opened a storefront and did not follow fashion week calenders. I wonder if I should too, just buy a storefront here and start my own thing, like Nazish and I were discussing on Saturday evening.
Mar 11, 2024
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her recent looks at couture week? literally perfect.
Jul 8, 2025

Top Recs from @olive_the_pizza

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Releasing my own victimhood was a level up TBH. Not to quote Yung Pueblo, but it is only heavy because you are deciding to carry it over and over again 🤷‍♀️ You can’t erase the past, but you can decide to move on. Loosen that sense of identity bby, make space for new life.
Feb 17, 2024
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This story post had me RUNNING to Safsafu to buy these neon heart earrings 🙃 ignoring the fact that Elon Musk 👹 is the background of this pic
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