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Jul 17, 2025

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I think Laura Marling grabbed Cohen by his lyrical balls. I'm not saying it just because I'm name-biased, I promise. My friend, who is a big indie-folk-head, has been trying to get me into her music for months now. I've caved, and of course, I started with the one called like me. It happened to be a response song. I knew of Alexandra Leaving, mostly because my dad collected Leonard Cohen's music compilations like somebody was paying him to do it. And I am fond of Cohen myself. By the time I learned to speak and listen, I’m sure we were both walking in circles around the house humming Suzanne or Is This What You Wanted. But now, after years, I finally know where Alexandra went after she left. I love Laura's voice. I love her jangly, untidy, Crosby, Stills, and Nash-reminiscent guitar playing. I love love love that she gave this woman a chance to be more than a projection of a great music man.
Jul 17, 2025
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Nothing I write here will do this film justice. I first saw it earlier this year and fell in love with it upon first watch. I pirated and viewed it on my laptop, in bed, with snot running down my nose. In June, I had the pleasure of watching it on a big screen during a Splat!FilmFest in a local cinema. I brought a friend, and I may have cried twice as hard. I can't believe this film was made in the 60s. I can't believe Jon Voight is a right-wing maniac at his grown age, having previously (and maybe unassumingly) played a queer character. The way this thing is shot makes you think Schlesinger set a whole new pathway for capturing film, the one we are more familiar with in the 21st century. Midnight Cowboy forever !!!!
Jul 18, 2025