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In 2016, the guy from Youth Lagoon said that Youth Lagoon was over, and in 2018 he released this thing under his own name, and in 2022 he said he was Youth Lagoon again and continued putting out Youth Lagoon music. I don’t feel like I really know what this is, but I’ve returned to it more than any album that has been released in the last 10 years. I think it might sound like touching the heart of the world if it had a real, human heart. There is a noise 90 seconds in to the second song that embodies grief so clearly that when it resolves into a descending minor tone exactly two minutes later it feels like being in a collapsing house. I don’t know if I’d call it perfect but it’s certainly a more affecting experience than any other album I can think of in the last decade.
Jul 11, 2025

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I went to one of his shows this year based on the poster’s vibes and he ROCKED!!! Such a great concert I was so happily surprised
Jul 11, 2025
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@GRAPE Yeah I adore his Youth Lagoon stuff!! Probably why it’s so affecting to hear a version turned inside out
Jul 11, 2025
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@YUCK I have to dig in to his recorded stuff I’ve been putting it off..
Jul 11, 2025
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A new album by an old fav was released today. It’s dreamy as ever, but the music of Youth Lagoon 2.0 feels super specific. When he returned with the last one, I knew I was hearing the work of an artist caught in a fresh creative current, and I’m not surprised to see this phase continue.
Feb 21, 2025
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Sonically, this is suitable dreamy and nostalgic, weaving his own home video audio throughout and thoughtfully layering his compositions within the static. It's like if the end of Scott Street was an album. There's a tactility to the sound that realises the stories being told whether they are suburban and personal, or mythical and folkloric.
What a voice, what an album. Glad Powers is back.
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"Why would you make out of words a cage for your own bird? When it sings so sweet The screaming, heaving fuckery of the world?"
the crooner's sophomore outing, finding beauty and hope amidst the end of the world
loved unreal unearth, loved the debut. but if you ask me, this is his strongest album. there's something about the imagery invoked in this album that is so specific, but feels so unique to him. that underwater cover art kinda encompasses that; normally when we think of wastelands, its just dry nothingness for miles. but this feels very "noah's ark flood" end of the world. the calm before the storm, the storm, and the aftermath
the VOCALS on this thing go apeshit btw
this also just has some of my favorite songs of his. MOVEMENT is criminally slept on. shrike is so bittersweet and beautiful. dinner & diatribes and almost (sweet music) are absolute jams. talk...? TALK?!! jesus christ. i can't listen to the title track without weeping. there's such a melancholy that almost makes me sick but it's like...the hug you'd want from a loved one as the world caves in
good time😃! emotional damage😃! have fun😃!
May 6, 2024

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by Thomas Theodor Heine. Oil on panel, 1921.
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