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big bubbly graffiti, a city that operates hand-in-hand with the environment so that the skies are never full of smog, rooted in punk and adapted to the neon colors of a brighter future; all of these things are encapsulated by one of my favorite musicians, closest friends, and now — a booming indie artist that i have the pleasure of managing. *faylovett is a jack of all trades, from funky edits to songs that will never leave your brain as much as you wish they would, he embraces and adds onto an aesthetic that is heavily oversaturated and subsequently dimmed in the current era. take the likes of KKB, 2Hollis, even Snail House and you’ve already got an idea of how *faylovett’s sound makes you feel. it’s nostalgic, but not suffocatingly so. it’s like looking at a photograph of you and your partner when you first started dating, part of you misses that fun and colorful youth, yet you find yourself missing — even more — what is yet to come. *faylovett’s latest single “*ssn_or_die” is a track that had me reeling since we first started chatting about its creation: it’s a coming of age story told sonically through whimsical video game-y noise and lyrically from the perspective of a hectic, ridden 22 year old mind. the sound of hope for a future and anxiety collide to provide you with the most impactful track ive heard yet out of *faylovett’s discography. alongside his music, *faylovett’s chronic online-ness and understanding of his personal brand at such a blossoming stage in his career only add to his likeability. it is likely you’ll find a pop culture reference or two scattered about his music, and his youtube/short form content is riddled with it as well. trust me, “get off that f*ckin phone” is a line i’ve had a giggle about way too many times. and that’s just the magic of *faylovett. he’s the pinnacle of everything right with the internet, and moreover, with the freedom of allowing anyone to create content shared to a widespread audience. give “*ssn_or_die” a listen and tell me how you feel !
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my friend recommended his song “Carthage” to me a couple years ago and since then, his name’s been on my radar but i never really took the time to properly dive into his discography until tonight. the weather getting cooler here has me craving the lush and warm sonic landscape of guitar music and this album is just what i’ve been looking for. it’s some of the most magical music i’ve heard in a long time… i also recommend wholeheartedly thanking your friends for music recommendations that you really resonate with, even if you listen to it years after they recommend it, and even if thanking them sounds or seems sappy. recommending music is such a special and sacred thing and i always like to hear when someone connects with something i‘ve sent them, whether i talk to this person every day or once every few years. sharing music is choosing to love and we should spread that love all around, all the time <3
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I've worked in touring for the past 6ish years (minus the pandemic period) but this is my first time dabbling in the creative side of an artist's album rollout and I'm so proud of what we made. Along with other tasks (creative and non-creative) not listed I had the pleasure of doing the creative social marketing for this album and I'm so proud of what we accomplised. The album title is jarring as fuck and if you have no context to Duckwrth or who he is as a person, as well as a someone who's been hurt by a fuckboy (let's be honest who hasn't??) and also just hates men (bc in this day and age who doesn't and if you're a man offended by that you should DEFINITELY look into that) chances are this may not appeal to you. However what I will say is this. This album is a headfirst dive into an exploration of unhinged and lustful desire, generational curses passed down from family, and the tumultuos journey to self love. All themes and situations we encounter and that make up the human experience. It's a conceptual album that is painfully relatable. When Duck first played the intro track for me sometime last year, it pissed me off so bad I started shedding some tears. Mostly bc I've related to being the girl that's entertaining a guy who has no respect for me or himself and as time has gone by I can also come to terms that I've been a f•ckgirl at times bc of past traumas etc. It's no easy feat to make a body of work that airs your shit and your family's shit out as well as publicly come to terms with the fuckery you've done and the pain you've caused to others and put it out into the world for the public to perceive and build their own perceptions or interpretations on your work but Duckwrth has done just that and created a body of work that I hope will ignite conversations between men who are trying to be better regardless of the hand they were dealt and take ownership. I'm so proud of this human for doing that and very grateful to be trusted and brought along on the creative process of this work. Working with him and his manager X has been fun, stressful (at times), exhausting, and very rewarding. I love these two down and I can't wait to see what comes of this project. If you have a moment go listen and stream All American F•ckboy. Share your favorite track if you'd like, I'm curious and would love to know :)
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as the years go by i realized how much this dude has inspired me. somehow his songs captures the essence of night time, syrupy mysterious nocturnal grooves. it’s hard to recommend a proper entry point into his catalogue too, because there’s so much and to me it’s all good. though i always fall back on his solo records “bete noir” & “boys & girls.” it has the super hit “slave to love” obviously - but the other tracks are just as juicy - “windswept“ is a personal fav. each song features a different heavy hitter guitarist from the era too - which is why i’m so obsessed with it. he’s like a sweaty laid back lounge singer serenading you at 3AM, meanwhile these guitarists are just shredding behind him. last saturday, i played a show and to get myself in the zone, i popped on “boys & girls” on the drive over. when i finished my set, a friend asked about the drum machine in one song and i said i took a cue from ferry and he recommended his 2010 record “olympia” which i somehow had never heard and now i’m currently obsessed with it. when i was packing up my gear the dj just put on another track of his. the next day at work, to sustain my post-show high i put on roxy music, and a customer i usually never talk to wound up sticking around telling me how much they love him. anyways i love that he‘s kind of my spirit guide following me around at the moment and highly recommend doing a deep dive into his world if you haven’t done so already…
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