🤡
RIP to this absolute GOAT of a sobriety meme account. I think I stopped drinking around the time that sobriety memes were in their second wave - 12-step inside jokes that were ideally harrowing, embarrassing, and hopeful in their shared hopelessness - and while Brutal Recovery, Fucking Sober, and Dumbsoberbitch are great, no account could perform these lacerations with the expertise of a surgeon as @facebooksober. Like an elephant balancing itself on a dime, facebook sober managed to capture the divine paradox’s inherent to recovery with such aesthetic grace and poetry I was 100% convinced that the person behind the account was a hot girl (it was a dude, lol). Whatever. Hot Newcomers Are Forever.
Dec 21, 2021
Related Recs
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My true passion is whatever fucked up combination of drugs and alcohol you consumed the last time you woke up and said “never again.” The Instagram account @regret_counter serves as an archive for your bad nights out, and though I am its humble bureaucrat, I am mostly just a fan of your fortitude, your bad choices, and your capacity for White Claw.
Feb 28, 2023
Bonus points if you send them to people with some message you thought was hilarious in the moment, but in all actuality it wasn’t you were just too drunk to read it properly.
Apr 14, 2025
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honestly still a banger of a username…
later on i used sad-incorporated
Jun 3, 2024
Top Recs from @asher-penn
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They say that the best design is no design, and I can’t think of a better example than No Frills, a low-cost supermarket chain in Canada that since the late ’70s has been easily recognized for its iconic simple in-house branding. Operating on the premise that making graphic design decisions is a major unnecessary expense No Frills follows a strict style guide of Pantone Yellow C combined with large bold Helvetica Neue 75 for all its interiors and packaging: pickles, dark chocolate, hummus, evaporated milk, olive oil all get the same point-blank treatment. The closest I’ve ever seen to this aesthetic is on that TV show Lost where all the food comes from The Dharma Initiative. Walking down their aisles can feel dystopian and autistic but also timelessly chic - a ridiculous marketing concept leaned into with a commitment that I hope they never abandon.
Dec 21, 2021
🎬
Eugene Kotlyarenko’s debut film 0’s & 1’s is still my favorite - and it’s heartwarming to know that it’s only been a decade after its premiere at a tiny Brooklyn theater that it’s finally getting the big screen screenings that it truly deserves. The simple story of a guy retracing his steps trying to find his lost computer - Slacker meets Dude Where’s My Car for the first generation of terminally online. But it’s the film’s relentless art direction that truly sets it apart - a multicam extravaganza framed within dozens of custom interfaces that rival both Hackers and The Net in channeling and elevating the aesthetics of the moment with painstakingly detailed easter eggs to be found on every fleeting frame. I’d also like to give a shout-out to We Are, my second favorite film by Eugene. Self-released almost a year ago, We Are is a continuation of his romantic comedies about breakups A Wonderful Cloud (2015) and Wobble Palace (2018) starring hapless losers mired in technological detritus - in this case, the employee of a pathetic virtual reality arcade. But unlike its predecessors We Are is Eugene’s most casual film to date, made with a whimsical looseness echoed in the character Stick’s XL tourist t-shirts and the soft soothing pace of his fidget spinner. It’s a funny movie, but it’s also sad… when Eugene breaks the 4th wall and slates a scene with Dasha, there is a self-accepting effortlessness that really feels like letting go. We Are is just a movie and that’s all it needs to be.
Dec 21, 2021
đź”®
Nymphet Alumni are a podcast devoted to analyzing the niche mainstream - cultural touchstones that didn’t necessarily die but instead morphed, rebranded, and shapeshifted into obsolescence, alongside contemporary trends that are almost too pervasive to identify. Sometimes these are brands (American Apparel, Oh Mighty), or platforms (Rookie, Tumblr), or social phenomena (Tik Tok Physiognomy, Nepotism Babies). Just because these subjects are massive in scale doesn’t make them easy to talk about, as the topics are so recent and fleeting that to subject them to thoughtful critical analysis feels too early or too late or just plain pointless- and maybe that’s the point. Listening to Alexi, Biz, and Sam’s compassionate and highly personal insights it’s clear that the ephemeral doesn’t arrive from - or exit into - the void.
Dec 21, 2021