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Nymphet Alumni are a podcast devoted to analyzing the niche mainstream - cultural touchstones that didn’t necessarily die but instead morphed, rebranded, and shapeshifted into obsolescence, alongside contemporary trends that are almost too pervasive to identify. Sometimes these are brands (American Apparel, Oh Mighty), or platforms (Rookie, Tumblr), or social phenomena (Tik Tok Physiognomy, Nepotism Babies). Just because these subjects are massive in scale doesn’t make them easy to talk about, as the topics are so recent and fleeting that to subject them to thoughtful critical analysis feels too early or too late or just plain pointless- and maybe that’s the point. Listening to Alexi, Biz, and Sam’s compassionate and highly personal insights it’s clear that the ephemeral doesn’t arrive from - or exit into - the void.
Dec 21, 2021
Related Recs
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Nov 13, 2024
it mostly applies to the first four of your interests but the hosts are curious and expansive in their discussion and would prob touch upon the others at some point if not already
intelligent and funny conversation without the cynicism or meanness that some similar podcasts can rely on for humour
one of my fave eps is where they cover the archetypal ‘shoe diva’ of the noughties. Their coverage of the margiela couture spring 24 show is really great too :)
Nov 4, 2024
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a fun and usually light cultural analysis podcast, they have interesting topics and coined the term blokette
my fav episode is the episode on tiktok shop!
Feb 19, 2024
Top Recs from @asher-penn
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Eugene Kotlyarenko’s debut film 0’s & 1’s is still my favorite - and it’s heartwarming to know that it’s only been a decade after its premiere at a tiny Brooklyn theater that it’s finally getting the big screen screenings that it truly deserves. The simple story of a guy retracing his steps trying to find his lost computer - Slacker meets Dude Where’s My Car for the first generation of terminally online. But it’s the film’s relentless art direction that truly sets it apart - a multicam extravaganza framed within dozens of custom interfaces that rival both Hackers and The Net in channeling and elevating the aesthetics of the moment with painstakingly detailed easter eggs to be found on every fleeting frame. I’d also like to give a shout-out to We Are, my second favorite film by Eugene. Self-released almost a year ago, We Are is a continuation of his romantic comedies about breakups A Wonderful Cloud (2015) and Wobble Palace (2018) starring hapless losers mired in technological detritus - in this case, the employee of a pathetic virtual reality arcade. But unlike its predecessors We Are is Eugene’s most casual film to date, made with a whimsical looseness echoed in the character Stick’s XL tourist t-shirts and the soft soothing pace of his fidget spinner. It’s a funny movie, but it’s also sad… when Eugene breaks the 4th wall and slates a scene with Dasha, there is a self-accepting effortlessness that really feels like letting go. We Are is just a movie and that’s all it needs to be.
Dec 21, 2021
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I met Jon and Allie briefly at the Los Angeles Sex Magazine launch. They introduced themselves and volunteered to trade me copies of their respective debut novels, which they signed. I was happy to find that both their books were awesome and completely different and that the connective tissue between them seemed to be a love of writing and each other that made me want to become friends with them both.Talking to Delicious Tacos about Jon Lindsey’s Body High, he described it as the ultimate Al-Anon book ; the story of a protagonist, Leland that is perversely attracted to and desperately wants to save the self-destructive people in his life - his dead mother and step sister - as a way of avoid any sane behavior… And Leland’s unmanageability is psychotically inspired, as a legendarily fucked up series of situations of his own making unfold in front of him.By contrast, Allie Rowbottom’s Jello Girls is a relatively traditional memoir, where the family's history is directly intertwined to the economics of processed food, and the intergenerational curse it propels both in the mind and body. Given that the food in question is a pioneer in artificial nourishment the themes of cancer and eating disorders are uncannily poignant, especially as Rowbottom’s voice channels the dark irony of Karen Carpenter in her prose.
Dec 21, 2021
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RIP to this absolute GOAT of a sobriety meme account. I think I stopped drinking around the time that sobriety memes were in their second wave - 12-step inside jokes that were ideally harrowing, embarrassing, and hopeful in their shared hopelessness - and while Brutal Recovery, Fucking Sober, and Dumbsoberbitch are great, no account could perform these lacerations with the expertise of a surgeon as @facebooksober. Like an elephant balancing itself on a dime, facebook sober managed to capture the divine paradox’s inherent to recovery with such aesthetic grace and poetry I was 100% convinced that the person behind the account was a hot girl (it was a dude, lol). Whatever. Hot Newcomers Are Forever.
Dec 21, 2021