May 13, 2024
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If you’re from brooklyn or new york city or just moved here, i know, this is cliche. But i! Don’t! Care! The truffle popcorn is addicting, even if I'm farting for the rest of the movie, it’s worth it. Plus they have cute little trailers to gab about with your date or friend, but i also go alone because nobody tried to have small talk with you at the movies and you can just disassociate peacefully in blissful high-power air conditioning on a hot nyc summer day. They have guest curators on a monthly basis and do fun screenings of old flicks. Highly recommend it. Nitehawk > Alamo.
Aug 7, 2023
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Going to the movies rocks. this was honestly such a hard question. This isn’t exactly the ~best~ movie but it is a great movie to see in a theater
From like 19-20 going to the Landmark in Westwood to see the Room with my friends rocked. The Room is such a funny bad movie and it’s even better at this theater because of all the canned responses the audience has to the shit happening on screen. its similar to how campy people get with Rocky Horror Picture Show. People throw plastic spoons and loudly jeer at the movie. occasionally Tommy Wiseau and maybe Greg Sestero will show up and you can take a pic. Highly recommend pregaming and then going with your friends at least once
sometimes a specific audience for it will suck but overall it was always pretty fun.
May 1, 2024
Buckle up, kkelmyss.
There are two film formats still projected in theaters today: 35mm and 70mm (aka 65mm).
35mm was repurposed from Kodak's 135 photographic film standard. Instead of running the film horizontally behind the lens, it was run vertically. This enabled more exposures per foot of film at less resolution. But as cinema grew in popularity, the desire for cleaner images and higher resolutions also grew. Larger exposure area was necessary to achieve this.
Cinerama was a cumbersome, yet impressive, short-lived solution. This standard required three synchronized 35mm cinema cameras to record the movie and three synchronized 35mm projectors to display the three separate film reels as one large-format ultra-wide image. Insane and beautiful.
VistaVision was a simpler solution. It simply rotated the 35mm film 90 degrees and ran it horizontally behind the lens like still cameras. This significantly increased the exposure area and thus the resolution. VistaVison was only relevant for about 10 years but laid the groundwork for future innovation. The format was famously used by ILM for its renowned special effects, starting with Star Wars. And was resurrected last year to film The Brutalist.
70mm was the straight forward answer to increasing exposure area—just make the film bigger. This standard was run vertically past the lens like standard 35mm and offered nearly double the resolution. 65mm film is actually used for shooting and the finished movie is transferred to 70mm film for projecting. The terms are used interchangeably because they both contribute the finished product. Lawrence of Arabia is a notable film shot using 70mm to accommodate its ultra-wide vistas.
IMAX 70mm took inspiration from VistaVision. It rotates 70mm film 90 degrees and runs it horizontally behind the lens further increasing the exposure area and putting it within spitting distance of medium format photography. These are big-ass exposures. It's dramatically more expensive to shoot and project movies in this format. But it produces a gorgeous high-resolution image. And gives Christopher Nolan a huge hardon.
Acquisition formats vary for movies. But when it comes to projection, there are predominantly only two film formats today. You're most likely to find a standard 35mm projector at your local independent theater. IMAX 70mm is the other and it's even rarer. Standard 70mm projection rarer still.
Feb 11, 2025
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May 3, 2024
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Bring back passion
May 3, 2024