And who are we to so confidently assume that our 21st century morality is the greatest yardstick to measure all other moralities against? Classics are to be read precisely because they’re the echoes of peoples that are now completely alien to us. And in my view, the mark of something truly beautiful is not how diligently it intends to school me on morality— it’s the revalation of a TRUTH. If its brilliance blinds me, so be it. It can be a hateful sermon of filth & violence— so long as it’s beautiful & pure & conveys something that connects me to that which I find myself disconnected from in my mundane, day-to-day life, I’ll be satisfied with it. This isn’t to say that great art can’t contain a decent, instructive morality. But is it necessary? In my view, not at all.
May 9, 2024

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I think art performs better not when it tries to be moral but when it tries to explore the human condition around morality. If anything, art is a culture’s attempt at survival, and we should listen to that shout into the void. Get to know that bygone iteration of human society. Books or artworks that come off preachy are seldom loved (in my opinion).
May 9, 2024
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i love your first point!!! i'm sure in years to come that people will look back on what we consider to be modern/contemporary literature and argue against all the things we think to be morally correct right now. and even so, like you mentioned, a text can be technical and wonderfully written in spite of that. i also love the idea of using these books as time capsules into a different world. i think we're so incredibly lucky to have this much access to art from times before our own and it would be such a shame to lose sight of that for any reason at all. i also love the way you worded everything, your perspective was a treat to read
May 9, 2024
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raisingirl thank you. It‘s an interesting question, really got me thinking about what I value in writing
May 9, 2024
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There's a thing that I notice at art museums sometimes. Someone wearing a slightly annoyed expression will be speeding through the exhibit like they are going down a long to do list. Or I'll be playing a board game with a group and there will be some guy with a strained face looking like they'd rather be anywhere else. Maybe another time we're leaving a movie and they start to complain about how it 'wasn't realistic', you get the picture. I swear to God it makes me want to pulpify their face. I'm not saying that you need to like every piece of art or that you should feel bad for not liking a movie, but, goddamn, at least give it a fucking second. Closing yourself off to The New, being automatically opposed to earnestness when it appears, is one of the most damaging defense mechanisms I can think of. It is, in turn, also one of the best ways to maximize your misery. The defense mechanism that is cynicism, turns its users into parasites of the Social; they are sold the idea (a lie) that damaging and denigrating <<something>> allows one to become independent of its power structure. On the contrary, just as a leech is the most dependent on its host, cynics are those that are most dependent on the power structures in our culture.  I really want to emphasize the difference between criticism and cynicism, because I am in no way saying that we should not criticize bad or damaging art, but to successfully criticize something means to first buy in, to really allow yourself to be taken by a piece, to examine it as it comes. Buying in as a term (even one so bathed in capitalist sebum) is the right one in this case because to buy in requires one to make a sacrifice. You cannot experience art without opening yourself to the possibility that it will do damage to you. To fully allow yourself to be moved by a piece of art is to allow yourself to be cut.  But inside that cut is what it means to be human. I think the single best way to combat cynicism is an unceasing curiosity of the world and the people in it. The normal and common of this world is absolutely fantasmatic if you take a moment to examine it; we see the world through have fluid filled orbs made of meat for fucks sake. The fact that there is anything at all, the fact that you and I exist for even a second is an absolutely unbelievable mind fuck, and to be unimpressed by any and everything doesn’t make you special or better than anyone, it just leaves you on a road to the pit of despair and leaves me really bummed out for the rest of the night.
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Look, for a while I did not care about prehistoric art. It was hidden beneath the veil of primitivism. Let‘s rewire our contemporary brains and try to view the past a little differently. When looking at prehistoric art, how do you feel? Does it make you excited to imagine a world before your time? Does it seem boring or even uninspired? Maybe you feel confused or disconnected due to the history between yourself and the work that stands before you. No matter how ancient works of art make you feel, it is crucial to learn and recognize the value and importance of these pieces and how they relate to the world around us. Why is it so important? I mean, we are living in the future! We have 3D printers, self-driving cars, and infinite knowledge at our fingertips. Why should we be looking to the past? For starters, we can learn about ourselves by seeing what our ancestors did 10,000 years ago. Prehistoric art is a major influence on contemporary art. Ever since the discovery of cave drawings and ancient Egyptian tombs, artists have been inspired by their primordial selves. The value of looking back is to learn about how it has inspired our own art. What we would consider art from the past, is influenced by the art of an even more distant past, and so on. We can learn about humanity and how we view the world just by looking at how we lived and created art throughout history. It is important to see where we started out so we can see where we are going in the future. Ancient art reveals historical details that we may not have been able to understand had it not been for the art created at the time. All this to say remind yourself that people in the past were people like us, living life and making art. We aren’t so different from our historical siblings.
5d ago
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sometimes we need to watch something that makes us feel ugly and accept that some art is morally corrupt.
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