im never more offline than when im commuting. it does get unpleasant, but i have no real alternatives so i stay. i stay with the noise, the waiting, the elbows, the heat. but theres also something in that pocket of time that feels like a sort of gift ? like the city letting you in on something, if youre willing to sit with it long enough. not rly silence bc manila rarely allows for that lol but a kind of stillness that moves alongside the chaos. the kind that doesnt ask for attention, but rewards it
for months i kept noticing these lines along edsa: crescent-shaped shadows on white walls, like soft brushstrokes. id wonder what caused them but theyd slip out of view and something else would take their place: pillows soaking up the morning sun on rooftops, a deflated nemo balloon tangled in trees. and id wonder about those instead. the lines werent a mystery i carried constantly, they just became familiar questions i greeted whenever they returned
one windy afternoon i watched the plants outside the mrt dance - rooted in place, their bodies bent in the only directions they could, in arcs so well rehearsed theyre almost muscle memory. each gust of wind sends them brushing against the wall, over and over, gently eroding the white paint. time passing in small, invisible repetitions. the plants were painting
i later traced the area on my favourite archive google maps haha and slid back through time. i found a coconut tree. in older images when the tree was younger and its leaves hung lower i could see how it once touched the wall. the tree had grown since then, its reach no longer the same. but the marks remained, like a growth chart. a timeline written in strokes only the wind could carry
i think about these lines often, how the body can grow taller and further away but the places it once brushed against can still remember. i try to hold the same feeling in my ceramic practice: a mindful documentation of the in betweens, the soft evidence of something passing through. in that stillness theres something lasting, something that can be held in the hands long after its made. a way of saying: we were here once. and we danced