I've written here before about Elliott.
I hesitate to call him "my friend" because we didn't really know each other all that well although I interviewed him yonks ago and our Portland social circles have definitely overlapped before and since. I own a few of his guitars now (courtesy of his ex girlfriend JJ Gonson who some of you have admired here because of her insanely great photography) and some original lyrics too. Maybe I should say I'm "steward" of these.
I would encourage you all -- if you're fans -- to watch my friend Nickolas Rossi's documentary "Heaven Adores You." You can rent or own it on YouTube (and I've linked the first few minutes here). A number of us who knew Elliott and felt pretty protective of him during his lifetime (and even MORE protective of his legacy after he'd passed, given the circumstances of his death) finally agreed to participate in it after turning everyone else away, for years, and somehow it walks the fine line of being candid about his struggles with depression and addiction without trafficking in salacious nonsense or gossip.
In the final analysis, Elliott knew no other trade but to put his very personal observations on display in a very public place. It is the space between that Elliott explored, and the tug-of-war between these sparring catalysts that he spent his life attempting to reconcile.
This is the memorial I wrote for him immediately after he passed. I was fucking devastated (then and now), mostly because I felt like it was an ephemeral passing moment, a shooting star that had briefly appeared above the Earth and was already gone. So it's an inherently selfish thing -- I mourn his passing mostly because I know that there will be no more Elliott Smith music, and that's just a huge loss for the world. I miss him on the reg but these days I understand why he is gone far better than I did at that moment, where all I could feel was just bottomless loss.
Much love to you Elliott, wherever you are. Thank you for the music, which meant so much to me. Still does.