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Staying at the Roxy in NY (formerly the Tribeca Grand) is akin to being on an elegant cruise in Manhattan. It’s my home away from home in the city. Everything is there: from live jazz in the massive atrium lobby with the glass elevator zipping up and down and the divine food and drinks (I recommend the lobster roll and a mescal cocktail) in recessed leather booths shaped like teacups, to the gorgeous red velvet theater below - which offers the best films on screen in Manhattan - curated by the brilliant Illyse Singer. After attending a killer film and fascinating Q&A, retreat to the Django, the speakeasy next door, which stays open til 4AM and is often where the hottest underground music acts play… What else could you ask for?
Jan 16, 2025
I have another indie theater that I prefer because it’s cozier, has better vibes, is much closer to me, and everybody who works there is genuinely passionate about film. It’s not really anything special visually but it’s a beautiful institution and it’s so fun to be there ❤️
But this one is an old art deco theatre designed by architect John Eberson (he designed Loew’s Paradise in the Bronx and the Paradise Theatre in Chicago)! It’s pretty run down/poorly managed and staffed but it’s a gorgeous building and definitely worth visiting. Not my photos but included for illustrative purposes!!
Nov 14, 2024
Buckle up, kkelmyss.
There are two film formats still projected in theaters today: 35mm and 70mm (aka 65mm).
35mm was repurposed from Kodak's 135 photographic film standard. Instead of running the film horizontally behind the lens, it was run vertically. This enabled more exposures per foot of film at less resolution. But as cinema grew in popularity, the desire for cleaner images and higher resolutions also grew. Larger exposure area was necessary to achieve this.
Cinerama was a cumbersome, yet impressive, short-lived solution. This standard required three synchronized 35mm cinema cameras to record the movie and three synchronized 35mm projectors to display the three separate film reels as one large-format ultra-wide image. Insane and beautiful.
VistaVision was a simpler solution. It simply rotated the 35mm film 90 degrees and ran it horizontally behind the lens like still cameras. This significantly increased the exposure area and thus the resolution. VistaVison was only relevant for about 10 years but laid the groundwork for future innovation. The format was famously used by ILM for its renowned special effects, starting with Star Wars. And was resurrected last year to film The Brutalist.
70mm was the straight forward answer to increasing exposure area—just make the film bigger. This standard was run vertically past the lens like standard 35mm and offered nearly double the resolution. 65mm film is actually used for shooting and the finished movie is transferred to 70mm film for projecting. The terms are used interchangeably because they both contribute the finished product. Lawrence of Arabia is a notable film shot using 70mm to accommodate its ultra-wide vistas.
IMAX 70mm took inspiration from VistaVision. It rotates 70mm film 90 degrees and runs it horizontally behind the lens further increasing the exposure area and putting it within spitting distance of medium format photography. These are big-ass exposures. It's dramatically more expensive to shoot and project movies in this format. But it produces a gorgeous high-resolution image. And gives Christopher Nolan a huge hardon.
Acquisition formats vary for movies. But when it comes to projection, there are predominantly only two film formats today. You're most likely to find a standard 35mm projector at your local independent theater. IMAX 70mm is the other and it's even rarer. Standard 70mm projection rarer still.
Feb 11, 2025
Top Recs from @katialisa
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the idea that you can only fuck up and express and be beautiful and destructive and explorative and constructive in your youth is simply a myth. you are going to continue to fuck up and you are going to continue to blossom. there's no linear path and structure on that. even people in their 50's completely change their entire lives. nothing is fixed and there is no path to follow.
your life isn't over until it's over.
this narrative that once you start to age you can no longer explore and express is an oppressive, capitalist, and intentional one. also, it's just not true.
your responsibility doesn't have to be boring or restrictive. the reason why you become more responsible is because you actually care about yourself. irresponsibility isn't the same as freedom. irresponsibility can be "fun" but also destroys you. having more responsibilities to keep yourself safe and cared for isn't the antithesis to fun and life and expression.
your feelings make sense though. in college it's easier to meet people and try new things. but ease doesn't translate to quality or longevity or intrigue. but funny enough, there are 30 year olds now that probably feel the exact same way about you as you feel about the people slightly younger than you.
there is no such thing as free years in terms of spirit.
expression and exploration is available in all forms at all ages. there are always places to go, hikes to walk, friends to laugh with, mistakes to make, good food to eat, art to create, fights to have, things to fail at, lessons to be learned, and love to be felt.
you're only 23. you're about to enter a new chapter of your life where you will fuck up and you will have stories to tell, adventure to explore, feelings to express, and people to love. and that is something that will always be true.
Jul 11, 2024
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this is a 6 episode show thats more like a mini series. its directed by and starring phoebe waller bridge (fleabag). it's short, sweet, hilarious, and on netflix. highly recommend for wackiness and intrigue.
Jul 13, 2024
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insane that this is a tiktok comment from a couple of years ago but i think about it everyday. in reference to longterm goals and projects, where you're like ughhh that'll take so long though. the time will pass anyway. might as well <3
Mar 25, 2024