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I am in several group chats, but there is one that has my full heart right now. It is the ā€œWriter Posseā€ group chat — it consists of NYT’s Joe Coscarelli, VF’s Nate Freeman, VF’s Dan Adler, Writer/Editor of Sex Mag and more Zack Sokol, NY/DC legend Jay Bugler, Reporter Extrordinaire Ezra Marcus, and yours truly. We’re all unfairly talented — deadass though, name another crew of men as sharp as us in the mediasphere — and we enjoy what we do. We support each other, we ride for each other, we hold each other accountable. Coscarelli and Bulger took me aside a few months ago just to keep me, definitely the wildest one in the group (if you can believe it or not), more focused and it was much appreciated. We’re men. We’re fucking men. Group chats are great. Never post anything; you post in the group chat, and the boys tell you if your head is in the right direction or if this hot take needs some work.
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@jayson
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Oct 16, 2023

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Whenever I read a great article I love sending it around to the pals and making it ā€œgo viralā€ within my circle of friends. It’s basically like book club but short form so everybody actually reads …. And then you have something to talk about when you all hang out in real life! A few years ago we became obsessed with a New Yorker article by Gary shteyngart about his botched circumcision and we still talk about it to this day.. powerful stuff . Today my friend sent me the NYT story of the guy who lived rent-free in the New Yorker hotel for 5 years. We will have much to discuss when I see her next!!
Mar 25, 2024
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I don’t personally know Alissa Bennett, but I think she is a brilliant and funny person who has clearly lived a vibrant life. A friend of mine once said about himself, ā€œI’m not a journalist; I just live this shit.ā€ I think this mantra (with the tweak, ā€œI’m just really interested in this shitā€) applies to Bennett’s writing and various projects — from her burner IG @regret_counter and podcast, to the next-level zines she publishes. Those zines though, wow! The writing is so intimate, confident, and, well, perfectly imperfect (sorry, sorry…).I like that every other paragraph has a typo, that she will frequently and flagrantly use cap-locks, and that she essentially unpacks the indiscretions of fringe tabloid figures in order to exhume her own demons and make sense of her past and present. It’s got a very ā€œwarts and allā€ vibe, and I respect that she’s willing to air her own dirty laundry in service of establishing a spiritual connection to the subjects of her texts. That’s not to say she goes easy on them, but it all feels empathetic instead of exploitative or solipsistic.Ā Rarely do I audibly laugh while reading, but Bennett’s work consistently makes me LOL. Generally, I prefer when people write the way they talk. Her essays feel like the coolest girl at the bar is whispering (and occasionally shouting) a very good story directly in your ear, but she also doesn’t really care whether you like the story or not. She already knows it’s good.Start with ā€œBad Behavior,ā€ which is a series of essays/love letters to various semi-public figures who engaged in specific, scandalous acts. Then hit ā€œPretend You’re Actually Alive.ā€ Most of the zines are sold out, but I’m sure she’d send you a PDF if you ask nicely. There’s also a new one on the way.
Sep 8, 2022
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Alissa is my favorite writer. Whether it’s her cult favorite Dead is Better zines (on every bookshelf with integrity) or her seminal pieceĀ I’m a Clubber, Alissa has long been heightening the lows of pop culture history so that we don’t have to. She’s also my best friend and together we host The C Word, a podcast about women who have been called crazy for which she does a, well, crazy amount of research. It’s also crazy that I regularly get to sit in bed with my favorite writer while she does her lengthy skin care routine and we watch the best moments of Dateline and scream at the ceiling. I hope we die together in a piece of real estate worthy of us.
Jan 3, 2023

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I'm often accused of being an "old soul", a categorization I vehemently dislike because it pretends as if my taste is because of nostalgia, as opposed to what is actually cool and compelling. (If something cool comes out now, I enjoy it, but we're in a down period when it comes to culture). But, something old about me, is that I do not care at all about TikTok ending, if does happen. If Elon takes it over from the Chinese, you might as well leave anyway, but I'm just worried at why this is a huge deal for people. It's just an app. Another one will be made. TikTok is not culture, it directly flattens culture into these ten second clips that take music, movies --- things that you need to process --- into something that is now consumed by everyone at a rapid pace, not allowing for the nuances, the style, the aesthetics to sit with us. I have never watched something on TikTok and thought that this is something in that pushing American culture to deeper heights. I am sorry. Now I am sure they're good stuff on the app, but it's not really a necessity. Whenever I hear the words "it's blowing up on TikTok", my mind immediately growls. I understood why X becoming overrun with Elon bots and right wingers is a big deal; X actually created things, made careers, made American life, and American events available to be seen by everyone. However, TikTok is a corrupt fantasy, chopping at the wires that make physical connection important. Read a book! Go to the movies! Go to the restaurant of a cuisine that is unheralded, go to a baseball game. Who cares about TikTok?
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@jayson
STAFF
Jan 14, 2025
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There's something quite startling about Martin Scorsese's 1980's period compared to the rest of his decades as one of America's greatest filmmakers. In the 80's, he was weird, strange, and making weirdly manic films that feel more New York than even some of his movies about the mob. They're movies about characters who aren't glamarous people that they want to be, but rather, are losers who can't seem to correctly fucntion in normal society. They're non-violent sociopaths. I saw The King of Comedy at Metrograph recently, and it's exhilarating, hilarious, manic, and scary. With Jerry Lewis, Bobby De Niro and Sandra Bernhard, Scorsese was able to create a world where incels who are bad at comedy are wishing for fame. Sound familiar? This is a great movie. In 1983, it was a box office flop. But in 2025, it is magical in how it's telling the future. A future of scam artists who don't want to work to get there, and don't want to sit in their mediocrity: they want to steal to get their fifteen seconds. Go watch this masterpiece.
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@jayson
STAFF
Jan 28, 2025
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I am a NBA boy at heart, the players who play in the Association are the greatest athletes on the planet, and everyone should check out a piece I wrote on the Knicks: https://jaysonbuford.substack.com/p/the-knicks-are-struggling-to-be-fun But MARCH MADNESS is here. So, look, college basketball can be overly sentimental, corny, for hick Midwesterns, and it is not the smart league that the NBA is. Imagine watching Nikola Jokic or LeBron James and that not being good enough for you. NBA haters are, like, a bad financial month away from being KKK members, hiding in plain sight. However, the NCAA Tournament objectively rules. It shows games every day, every hour, non-stop, teams that you would normally not see play, and upsets, upsets that break your bracket. Upsets happen because mid-major teams get better throughout the year, especially when they play tougher competition before the conference schedules start. It's awesome to when they pull off a shocking upset. The games are on all day! watch them! BA BA BA BA BASKETBAKLL, GIMME GIMME GIMME THE BALL CAUSE I'M GONNA DUNK IT
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@jayson
STAFF
Mar 20, 2025