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I saw this movie a few weeks ago at IFC Center and it was equal parts hilarious, touching, and sweet. It made me nostalgic for growing up in the early internet days. This movie also put me on to Miranda July and now I am dying to read All Fours because I think she is a brilliant writer.
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Jul 14, 2025

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Welcome to the world of Miranda July!!! I got at ))<>(( tattoo because of this movie. And there are a bunch of us out there with the matching tattoo!
Jul 14, 2025

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coming of age! & funny & I cried. Feel like nobody has seen it/went under the radar. And it was shot in a really gorgeous location so deserves bigger screen than a laptop
Jan 14, 2025
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Eugene Kotlyarenko’s debut film 0’s & 1’s is still my favorite - and it’s heartwarming to know that it’s only been a decade after its premiere at a tiny Brooklyn theater that it’s finally getting the big screen screenings that it truly deserves. The simple story of a guy retracing his steps trying to find his lost computer - Slacker meets Dude Where’s My Car for the first generation of terminally online. But it’s the film’s relentless art direction that truly sets it apart -  a multicam extravaganza framed within dozens of custom interfaces that rival both Hackers and The Net in channeling and elevating the aesthetics of the moment with painstakingly detailed easter eggs to be found on every fleeting frame. I’d also like to give a shout-out to We Are, my second favorite film by Eugene. Self-released almost a year ago, We Are is a continuation of his romantic comedies about breakups A Wonderful Cloud (2015) and Wobble Palace (2018) starring hapless losers mired in technological detritus - in this case, the employee of a pathetic virtual reality arcade. But unlike its predecessors We Are is Eugene’s most casual film to date, made with a whimsical looseness echoed in the character Stick’s XL tourist t-shirts and the soft soothing pace of his fidget spinner. It’s a funny movie, but it’s also sad… when Eugene breaks the 4th wall and slates a scene with Dasha, there is a self-accepting effortlessness that really feels like letting go. We Are is just a movie and that’s all it needs to be.
Dec 21, 2021
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I love Paul Rudd and Tim Robinson is really a comedy genius so when I heard about this movie I was excited. I saw it yesterday with maybe 15 people, scattered in a small theater late in the afternoon in a multiplex packed with people there to see Lilo and Stitch and Karate Kid.
It was such a good movie, fans of "I Think You Should Leave" will enjoy the uncomfortable awkwardness of it. It was dark at times, but it had some really funny parts, some of the story was surrealist at times which I enjoyed, there were some really visually interesting shots and the music/soundtrack was good.
When it was over, me and my girlfriend were discussing what we just watched and it made me think about trying to make friends as an older person and how hard it is to try and seem cool or interesting to someone else that you are just getting to know. We talked about the mistakes of our youth and how we are all awkward and lack self awareness at times. Sometimes we are just performing, putting an exaggerated version our "best self" on display in hopes of companionship, acceptance, love, to feel like being part of a tribe or family, when we should be more humble and just let it come out organically. We should show our true self in the beginning, not feeling embarrassed or feel shame about our passions, they are what make us who we are. And if people don't like it, or judge you, they are not for you, and that is ok. Everyone is not for everybody. Be true to yourself and you will find your people, even if it takes longer than you want it to.
Anyway, the movie was good, like what I said above, it might not be for everyone, but give it a chance and you might like it.
Bye
Jun 1, 2025