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Creating a moodboard, then collaging fragments, helps weave a final narrative — one that reveals the essence behind the image. In this case, the body lying beneath it all isn’t dead. It’s being protected by its spiritual guardians.
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Jul 1, 2025

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The images from Endangered make me feel as though I’m witnessing a moment suspended between serenity and unease. Human bodies, naked and glowing, rise and fall in the water, reaching out as if grasping for air, salvation, or something more abstract — a sense of belonging, perhaps. The underwater light fractures their forms, blurring the line between the individual and the collective, between the human and the elemental. There’s something quietly unsettling in that blend of freedom and vulnerability — a kind of dance poised between life and loss. It strikes me deeply, a visceral reminder of how fragile we are, both as bodies and as a species.
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I first heard Combat Baby from this very album in my late teens — it carried a weight of melancholy that pulled me in from the sadness itself. That urge to dance even when your heart is hanging by the last thread. I stumbled back into it this week.
Listening to it now, I recognize it as a defining reference in my own sound. The use of piano and other keys alongside raw, unprocessed synths puts all the weight on the harmony — a harmony that forces me to leave behind that old world underground. You won’t find it anymore.
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First time you hop into a Berlin photoautomat, you’ve got no clue what it’s gonna sound like or how fast the flashes are gonna hit.
It’s got this little rush to it, kinda feels like a leftover from a techno night.
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