so tactfully crafted, hits you where it hurts and patches you right back up
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yep yep yep
2d ago
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I'd go to school if: the teacher was Justin Vernon the uniform was flannels and dungarees the bus was a 1997 Toyota Camry with all my belongings the textbook was for Emma forever ago the classroom was a remote cabin in Wisconsin
2d ago
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maybe the best album ever recorded to listen to on a rainy day? yeah? yeah.
2d ago
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re:stacks off bon iver’s For Emma- such a heavy album, but this song marks a final change in theme before the record wraps up: leaves listeners with a twinge of hope after so much grief. i’ve carried that hope with me for years now. if you listen closely, you can hear justin vernon set down his guitar and walk out of the studio as the album ends. a perfect tender moment also f mono šŸ˜”ā˜ļø
May 5, 2024
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I just love when people share personal anecdotes in relation to why they love a song From emma's recent upload about her greatest songs of all time, my favorite is when she describes Light On by Pinegrove feeling like throwing a rock at your ex's window for another chance but not in a desperate way
Apr 10, 2025
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It’s such an uncompromising song, it tackles grief and the processing of it in a vulnerable but ultimately human way. The production (credit to Benjamin Booker & Kenny Segal) is unsettling but warm, like you know that it can only get better but you have to just sit and deal with the discomfort of your current situation in order to get there. There’s a delicate piano melody that fades in and out of the mix alongside the faint hum of a guitar making what is in concept a experimental rap song into something different, the ā€˜rapping’ is more like spoken word poetry. Benjamin Bookers intro despite being repetitive due to his relaying of ā€˜I was only a dove, only in love’ is made so powerful due to how worn out and whispery his voice is, like it’s a memory of a loved one haunting you. Which in turn fades into billy woods’ verse which reads more like poetry than a rap verse. Some of my favourite lines being: ā€˜They called like "Come now, he doesn't have long to live", I dress slowly, Came back that night and took my baby out the crib so I could hold him’ or ā€˜Locked doors never had a key but you test the handle occasionally, God forbid it swing openā€ ā€œAttic stairs broken, don't go up there, From the windows i watch the diggers disappear in soft wet earth, Dinner served, i waited for my guests, long table set.’ It’s so bleak but perfectly describes the little moments of discomfort you feel when losing someone and I think it works perfectly combined with how minimalistic the production is. The closing segment from ELUCID is a lot grander in scale and thematically darker, the production starts to get corrupted with static crackles slowly consuming each layer of the instrumental whilst ELUCID foretells the impending end. It’s a sucker punch that catches you out but it works due to how the song is structured all the emotions caused by loss are only told about up until this point and ELUCIDs part represents the listener tackling them head-on. It’s uncomfortable and you’ll probably skip it on relisten (hell I often do) but I think it’s purpose is so powerful and as a whole the song is incredibly thought provoking.
Apr 13, 2025

Top Recs from @chelseacostar

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we drove (12ish hours) from brisbane, down to wollongong, and spent plenty of time at the beach, drinking beers, and being immersed in the local music scene. so many new friends, beautiful memories and treasured film pictures.
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and i wantttt what i waaaaaaant !!! (need i say more?)
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the smell is lowkey so overwhelming, and iā€˜ve mentally correlated it with exciting/nervy events, so now i can’t sleep :( BUT! i know i’ll wake up golden and tanned, and also look skinnier because that’s just the science behind fake tanner.