This song slaps so severely… I'm not always right But still, I ain't got time for what went wrong Where I end up, I don't really care I'm out of my mind But still, I'm holding on like a rolling stone A thousand miles from anywhere
Mar 7, 2025

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production: 5 out of 5 sparkly fedoras lyrics: 5 out of 5 angsty fingerless gloves
Sep 13, 2024
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I used to dislike this song but I have recently become fascinated and enamored by it. The references to molly, shameless AAVE, the sexuality thats clearly supposed to be more controversial than truly “sexy” in the video, and desperation present in the lyrics are all so of its time. Yet it felt so modern when it came out that I never could’ve imagined the future being any different than at that moment because I was too young to properly conceptualize it
May 29, 2025
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Last one I promise but I loveeee Waxahatchee I've been yours for so long We come right back to it I let my mind run wild I don't know why I do it But you just settle in Like a song with no end If I can keep up We'll get right back to it
Mar 7, 2025

Top Recs from @taterhole

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My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebody—be it a relative or one of my best friends—was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too 💌
Feb 23, 2025
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I am a woman of the people
May 28, 2025
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I’ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapid—a critique often rooted in misogyny—but now, the way we craft our online selves feels more like creating monuments. We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretation—preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume. On most platforms, validation often comes from how well you can curate and present your image—selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that there’s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. It’s refreshing to be part of a community that values thoughts over optics. By sharing so few images of myself, I’ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentional—something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance. For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. I’ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look. In trying to be seen, are we making it harder for others to truly know us? It’s a question worth considering.
Dec 27, 2024