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a comfort movie that i rewatched this past weekend. directed by richard ayoade with a soundtrack by alex turner
Mar 3, 2025

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good watch
Mar 3, 2025
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such a good coming of age movie that is so funny, so beautiful, and so comforting. amazing soundtrack by alex turner as well! watched it for the first time when I was 14 and liked it and watched it again when I was 23 and LOVED it
Jan 22, 2025
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Eugene Kotlyarenko’s debut film 0’s & 1’s is still my favorite - and it’s heartwarming to know that it’s only been a decade after its premiere at a tiny Brooklyn theater that it’s finally getting the big screen screenings that it truly deserves. The simple story of a guy retracing his steps trying to find his lost computer - Slacker meets Dude Where’s My Car for the first generation of terminally online. But it’s the film’s relentless art direction that truly sets it apart -  a multicam extravaganza framed within dozens of custom interfaces that rival both Hackers and The Net in channeling and elevating the aesthetics of the moment with painstakingly detailed easter eggs to be found on every fleeting frame. I’d also like to give a shout-out to We Are, my second favorite film by Eugene. Self-released almost a year ago, We Are is a continuation of his romantic comedies about breakups A Wonderful Cloud (2015) and Wobble Palace (2018) starring hapless losers mired in technological detritus - in this case, the employee of a pathetic virtual reality arcade. But unlike its predecessors We Are is Eugene’s most casual film to date, made with a whimsical looseness echoed in the character Stick’s XL tourist t-shirts and the soft soothing pace of his fidget spinner. It’s a funny movie, but it’s also sad… when Eugene breaks the 4th wall and slates a scene with Dasha, there is a self-accepting effortlessness that really feels like letting go. We Are is just a movie and that’s all it needs to be.
Dec 21, 2021

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why did the US design its infrastructure to be car-centric?!! give me walkable cities and towns with good public transit!
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