šŸ·ļø
I adore this song so much, nothing but the best on every aspect. The lyrics are so beautiful, impactful, and reflective of actual kamikaze’s and their perspective from above. The minimal luminous guitar work that captivates such a moving picture of the lyrical theme. And his voice, I just fucking love it. Fav Lyric: ā€œThe end of me A fiery blossom for youā€
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Feb 27, 2025

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šŸ•Š
It’s such an uncompromising song, it tackles grief and the processing of it in a vulnerable but ultimately human way. The production (credit to Benjamin Booker & Kenny Segal) is unsettling but warm, like you know that it can only get better but you have to just sit and deal with the discomfort of your current situation in order to get there. There’s a delicate piano melody that fades in and out of the mix alongside the faint hum of a guitar making what is in concept a experimental rap song into something different, the ā€˜rapping’ is more like spoken word poetry. Benjamin Bookers intro despite being repetitive due to his relaying of ā€˜I was only a dove, only in love’ is made so powerful due to how worn out and whispery his voice is, like it’s a memory of a loved one haunting you. Which in turn fades into billy woods’ verse which reads more like poetry than a rap verse. Some of my favourite lines being: ā€˜They called like "Come now, he doesn't have long to live", I dress slowly, Came back that night and took my baby out the crib so I could hold him’ or ā€˜Locked doors never had a key but you test the handle occasionally, God forbid it swing openā€ ā€œAttic stairs broken, don't go up there, From the windows i watch the diggers disappear in soft wet earth, Dinner served, i waited for my guests, long table set.’ It’s so bleak but perfectly describes the little moments of discomfort you feel when losing someone and I think it works perfectly combined with how minimalistic the production is. The closing segment from ELUCID is a lot grander in scale and thematically darker, the production starts to get corrupted with static crackles slowly consuming each layer of the instrumental whilst ELUCID foretells the impending end. It’s a sucker punch that catches you out but it works due to how the song is structured all the emotions caused by loss are only told about up until this point and ELUCIDs part represents the listener tackling them head-on. It’s uncomfortable and you’ll probably skip it on relisten (hell I often do) but I think it’s purpose is so powerful and as a whole the song is incredibly thought provoking.
6d ago
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i know that this song is sad, but it’s absolutely beautiful and i don’t think anything could be done to make it any better than its studio release. thom yorke is singing about obsession of someone that doesn’t even notice them. every set of lyrics is devastatingly creative and raw to where you can hear every element of the piece at once. i’ve always especially loved ā€œi’m a moth who just wants to share your light/i’m just an insect trying to get out of the nightā€ just before the song hits you with the intensity that sounds just like the feeling of truly needing somebody else. always been a die-hard fan of this song as well as the rest of the album, will never skip a single track
Nov 28, 2024
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sasurai - hako yamazaki blues, haunting, yearning, lamenting. stare at the flickering flame of a candle in a pitch black room with a bottle of jack any song from the album a crow looked at me - mount eerie the first sentence of the first song will immediately gut you and twist the knife always enough/ oh magnificent nature - carlos niƱos & jesse peterson this is a beautiful happy to be alive, in love with the world cry. the laughter of children always brings tears to my eyes
Feb 7, 2024

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Feb 27, 2025
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I mean it’s just a cute tune to me. Makes me feel very whimsical
Feb 27, 2025