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* Rimsky-Korsakov — Scheherazade * Dvorak — New World Symphony * Rachmaninoff — The Piano Concertos and Paganini Rhapsody * Debussy and Satie performed by Jean-Yves Thibaudet * Bartok — Orchestral Works * Stravinsky — The Rite of Spring * Walton — Death of Falstaff (most beautiful and heartrending song ever written?)
Dec 18, 2024

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I’m talking romantic era circa 1870. rachmaninoff, tchaikovsky, sibelius, saint-saĆ«ns, and even later composers like scriabin and ravel. I’ve recently been fixated on sibelius symphony no. 2 and ravel piano concerto in g (the second movement definitely being the most emotional). oh, and this is neoromantic but I can’t pass up an opportunity to recommend ennio morricone’s compositions. I recently relistened to the guiseppe tornatore suite and it’s just wave after wave of bliss from the sonic landscape. I hate to be that pretentious classical music guy but I just really like talking about it lol.
Dec 18, 2024
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Tchaikovsky Piano Concerto #1 Rachmaninov #3 Not exactly deep cuts lol
Feb 20, 2025
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I got Apple Music classical recently. absolutely love it. If you’re reading this and haven’t taken the classical-pill yet, you have to give it a try. It has all the calming space out lock in effects of ambient music— but if you care to really tune into the music itself it’s astonishing how beautiful it can be. Growing up, I thought it was music for the diaperproles— babies & senior citizens. I was so wrong. Such grace, such clarity, such overwhelming force, such tenderness, such vehement, electrifying ENERGY all expressed completely wordlessly. By a means that surpasses words. Wordcelsisters, we never stood a chance… I’ve been on a huge Russians kick currently. Prokofiev, Rachmoninov, Stravinsky, Scriabin, Tvhaikovsky. Some pieces that I’ve really been enjoying recently, in no particular order: Schumann’s piano concerto in A minor performed by Marta Argerich. Rossini’s overture from la gazza ladra Prokofievā€˜s dance of the knights from Romeo & Juliet Stravinsky’s rite of spring Vladikir Ashkenazy’s rendition of Chopin’s 15th nocturne I’m also convinced that ā€œSmile Sessionsā€ is the best pop album ever made. If anyone can provide any evidence to the contrary I’d be delighted. But in the meantime, I’ll continue listening to ā€The Teenage Symphony to Godā€ front to back ad infinitum
Apr 27, 2024

Top Recs from @taterhole

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My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebody—be it a relative or one of my best friends—was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too šŸ’Œ
Feb 23, 2025
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I am a woman of the people
May 28, 2025
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I’ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapid—a critique often rooted in misogyny—but now, the way we craft our online selves feels more like creating monuments. We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretation—preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume. On most platforms, validation often comes from how well you can curate and present your image—selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that there’s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. It’s refreshing to be part of a community that values thoughts over optics. By sharing so few images of myself, I’ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentional—something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance. For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. I’ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look. In trying to be seen, are we making it harder for others to truly know us? It’s a question worth considering.
Dec 27, 2024