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If you’re lucky enough to have a cinema nearby that shows certain films on actual film stock then I can’t recommend it enough.
All of the mistakes and signs of use on the film stock, that are apparent to you throughout the runtime, adds another layer of immersion to a cinema experience. No one else will see that particular showing of that particular film except for the people in that room with you at the time.
One of my old drama school teachers once told me a fun little story about the gaps between each frame. He said that all those empty gaps which are only fractions of a second between frames being processed and projected are all registered in our brains when we watch a film on celluloid. He also said that our brains see these blank spaces and instinctively imagines what would fill the empty gaps so, we feel more immersed in the film as our brains try to connect these dots in front of us.
I don’t know if that’s true at all, but I’d like to believe so.
Oct 15, 2024

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It's totally true... ask a film projectionist about 35mm shutter speed sometime!
Oct 16, 2024
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iconicindex that makes me so happy, I’m gonna look into it for sure!
Oct 16, 2024
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glenbek It's not actually too complicated — basically the shutter opens twice every 1/24th of a second, and 50% of the time you're actually looking at darkness. On a DCP projector (standard for digital cinema) the projector continuously runs bright, even for "black" frames (and for movies originally shot on film, 1/25th of the frames are even artificially duplicated). The cognitive difference is more obvious when you compare film to various motion-interpolation/smoothing effects on modern TVs — there's just clearly a lot more room for your own mental interpretation of visual motion in the cinematic context.
Oct 16, 2024
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iconicindex thank you so much for the explanation, I can wrap my head around that for sure, I love it! Possibly why so many filmmakers of the pre-digital film sphere talk more about going to the cinema and that being a pivotal experience in them choosing to make films.
Oct 16, 2024
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glenbek It's actually a bit of a sad scene in London for 35mm unfortunately, really only the Prince Charles holding it down. Chicago (and of course NYC) is *much* better. Ümit's shop in Lower Clapton is a bonkers 16mm must-visit though
Oct 16, 2024
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iconicindex hit the nail on the head, only started watching more film on celluloid because of the affordability and community behind Prince Charles, love that cinema. Will have to check out the other one too! Never heard of it.
Oct 16, 2024
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glenbek He occasionally does 16mm screenings at Castle Cinema in a series called Ciné-Real, but the shop is wild and you can just chat with him on any rainy afternoon on these kinda topics. He also rents out a 16mm back screening room there for small BYOB groups and will hand-run a single projector himself. I lived in Chicago too long, so for me 16mm is too much of a "toy" format, but some people love it
Oct 16, 2024
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It’s just better overall exprience when the movies on film
Jan 20, 2024
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good 35mm prints are absolutely stunning. i recently saw poor things on the cleanest print i’ve ever seen and it reminded me just how special it is to see a movie on film. 70mm is life changing, it truly teaches you how loud a movie can be.
Feb 14, 2024
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I’ve been doing this all year:
- Gets you out of the house and off the couch
- See things BIG, let the light and sound of cinema wash over you and get lost in it
- Discover all kinds of classic films, restorations, curated series you’ve never heard of
- Great excuse to meet up with friends and talk about movies afterwards but get comfortable seeing and enjoying things solo!
Sharing an onscreen narrative with strangers and then parting ways feels like a fundamental part of city living.
May 21, 2024

Top Recs from @glenbek

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Been a very slow year with not much acting work at all but, last year I managed to get a line of dialogue in the last season of house of the dragon, and also filmed two seasons of a kids show for the BBC.
I’m happy I stuck with this wish, even if it’s painful to continue pursuing it sometimes :)
Oct 18, 2024
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I didn’t know how to kiss normally. She went in with a French kiss, an ungodly amount of tongue but, I can now tell we were both very nervous and didn't know properly what to do.
We were in a cinema and her mates were sat a few rows away but kept looking over to see if we were kissing yet.
Coincidentally, we were watching Fast & Furious 7 just after Paul walker had passed- she went to kiss me at the final farewell scene and I genuinely told her to stop & have some respect LMAOOOOOO.
I was an awkward kid man, bless her.
Oct 16, 2024
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every time I give this a relisten I’m always shocked by how consistently great it is as an album. Obviously, “The Idiot” gets a tonne of praise and deservedly so, and even though this album helms a lot of Iggy Pop’s most popular singles, I never see people talking about it as an album and what it does brilliantly.
even with “The Idiot”, Iggy Pop was very much performing under David Bowie wing and environment- a lot of dark and brooding electronics and atmosphere which complimented Iggy well but, here he is definitively Iggy Pop.
I think people forget that “punk” music (which Iggy hated the label of) doesn’t necessarily fall into a genre, more so an attitude of performance. This is proved time and time again in this album, as Iggy covers styles of hard rock, blues rock, ballads and soul- all unmistakably polished with a punk edge.
Punk isn’t the music you play, just how you play it (at least I think so), and it’s so obvious that Iggy and the band just had a blast recording and performing this, they don’t take themselves seriously, if anything, poking fun at the restrictions of rock and pop songwriting in the process. Yet, the album never feels like it’s smarter than you, it’s inviting you in to feel the excitement.
Such a blast of a record, if you need a pick-me-up like I did today, give this a whirl!
Nov 4, 2024