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this is kind of a half-rec because I didn't enjoy it per se but as an experience, it was overwhelming. I wouldn't call it good but I'd call it a fascinating mess I can't make sense of, felt to me like an octogenarian southland tales while also visually all over the place. incredibly dense, deeply half-baked, incredibly odd and oddly hopeful! kinda hard to classify really
Sep 28, 2024

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watched in a theater the other week. so dense. a fragmented psychiatric nightmare with themes that spin with the centrifugal force strong enough to pull your soul out of your body as you stand in the middle of it, inland empire is a very individual experience that you can tell lynch used as a collage to express ideas he’d been trying to hone in on for many years already. shot entirely on digital handicam, giving it the feeling of a dream transmission being broadcast directly into your head, highlighted by the handicam grain and the washed out colors from the ai upscale, the movie is woven together like a disjointed and disturbing web akin to both a wired cyberscape’s and an arachnid’s. lynch’s experimentation with form allows the film’s sequences to shine in tandem with one another through a disjointed structure and nonlinear narrative, with sequences cutting into each other like popup ads. through this structure it conveys a deep-seeded desire to express the convergence of life and technology in a way. accentuated by many themes we’ve encountered before in lynch’s work, such as exploring a strange and malicious side of hollywood akin to mulholland drive or the lost girl motif as in darkened room, it’s really the film’s tagline which succinctly encapsulates everything i gathered from my second watch: “a woman in trouble.” nikki grace, famed actress, is placed in the role of susan blue, and soon their lives and consciousnesses begin to converge as they uncover the paralleled life and death of a lost polish girl, a mysterious one that cursed the prospective screenplay. circles/repetition symbolic for karmic rebirth. phones and electromagnetic references (axxon/axon) as indicators of human connection. industrial factories and trains as  symbols of pregnancy alongside many euphemisms for back-alley abortions. the price of fame and fading into obscurity. lost in the wires of radio, tv, and film, inland empire is a symbolic labyrinth waiting to be uncovered, and a solid contender for the greatest film ever made. look at me and tell me if you’ve known me before.
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We're a bisexual nation living in denial, all because of a bunch of nerds. totally ambitious exercise by an auteur. this movie saw all culture of the last twenty years more or less going insane, and ran with it. in all its schlocky needle drops and all. a lot of talk about this movie talks about "prescience" which I dislike much less than the idea that this movie is a scalpel into the heart of American paranoia much like a Philip K Dick novel if he understood Green Day. It's an incredibly difficult film to sit through all the way, partially because it feels at first glance incredibly Bush-era, but I don't think that makes it worse. Utterly relentless, but I think that's the point in what might be maddening. genuinely one of the most futuristic films ever made. You can watch it on Tubi RN!
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alright hear me out: carbonation and coffee with a squeeze of orange shouldn’t work, but it does. Been making them daily and i feel a lot better in the morning each time i do
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