I think what i look for in a cover for a record is how well it can describe the sound and ethos of the music. this album cover is just as messy and frantic and DIY as the songs on this project. for that i love it.
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Aug 21, 2024

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šŸ–¼
Too tough to pick just one, I mean LCD’s self titled, Obscured By Clouds, All Things Must Pass, Crush, Longwave, The OOZ, pretty much every Kurt Vile record… all goated in my eyes. I’ll use my cop out answer to highlight 2 of my favorite contemporary album artists. First, local dude Perry Shall, who has designed many releases on Dan Auerbach’s label Easy Eye Sound. Some great Shannon & The Clams covers, an overlooked but incredibly solid Radiator Hospital album — I especially love his portrait style covers. I certainly ripped that template when designing the bootleg cover in the pinned post on my page. Which leads into artist #2… Andrew Savage of Parquet Courts fame has also designed each of the band’s releases, plus an Ultimate Painting split on Woodsist, plus I’m pretty sure both of his solo albums. Light Up Gold, Human Performance, Wide Awake!! C’mon… check out the portfolio section on his website, too, for some paintings from over the years. Asked To Leave and In Texas No Less are two of my faves.
Aug 22, 2024
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ā™¾ļø
this isn't a particularly rare vinyl release at all - it's still widely in print and very affordable. it's an album very very widely considered a classic. but it is, I think, the moment when I realised what makes buying music more satisfying of an experience than the lifetime of piracy I'd built up to that point. it comes with a handful of prints and illustrations that really expand upon the feeling of the album. the record itself isn't even labelled, there's no tracklist, the sides are engraved with their descriptions "nervous, sad, poor" and "bleak, uncertain, beautiful". but most notably of all, each of these releases comes with a penny flattened on train tracks behind the studio it was recorded in. I've heard stories of copies of this album coming with handwritten notes of thanks from the label. it was the first time I think I realised the love and the immense effort that goes into putting music out independently like this, even long after the recordings are done. I mean, I get that this one's a very special case - a lot of high-effort touches to really drive home the art, and to keep doing them decades after the album released. but I think picking this up is a big reason why I'm still buying vinyl ten years later. the album still absolutely rips, of course.
Jan 10, 2025
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šŸŽ¶
janet perr is crazy she also designed the world of echo cover art which is honestly my favorite album art of all time
Apr 6, 2025

Top Recs from @gnomes

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šŸ’„
Really adds texture and personality, i’ve been inspired a lot by twee and mod culture recently and i find these posters really fun and exciting.
Apr 8, 2025
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2ļø
Alright here’s a quick look at hand processing 16mm motion picture film. The stock I shot for this film is called Kodak 3378, it’s a high contrast black and white reversal film stock, which basically means it doesn’t develop as a negative but as the actual viewable image. The process of ā€œhand developmentā€ is an interesting one. First 100 ft of film are loaded into a light proof tank. The chemical process I used is called E6 and it consists of a few steps that can be performed at room temperature: first developer, second developer, rinse, bleach, fixer, photoflow. Exposing the film to these chemicals four particular times results in the final image. This step is the rinse, the 3378 stock is the slightly purple film. Hand processing creates strange patterns and aberrations, disturbances created by a process that is inherently imperfect. It allows the artist to play with the parameters of 16mm image making but maybe more importantly, its results are a direct effect of the artist’s hand on their work. This is why we shoot film in a digital world: it’s something we can physically affect as true human beings.
Mar 19, 2025
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šŸ”²
Composing a short film about childhood at the moment and I’ve been leaning heavily on this Casio PT-1 keyboard I picked up at a flea market in Barcelona. They were manufactured starting in 1985 as a simpler alternative to Casio’s LV-1, hailed to be the first commercially available synth. Anyway love this sound it’s so tactile without feeling too boxy, I’ve really enjoyed playing it through my Tascam 414 as a preamp.
Mar 10, 2025