the clearest photos i have of these are from before I had even hung them up but I found these at a thrift store for like $15 and I searched the artist and he did them when he was a small child in Massachusetts in the early 20th century which is so cool
Jun 27, 2024
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I have been collecting art my entire adult life, starting from my days 20 years ago as a student at RISD. When I see something I love, I do not hesitate to buy it. At this point, my walls have no room for more art, but that does not stop me when the art is really good. I am obsessed with my latest art purchases, these prints by LA artist Nick Pini. Abstract figures rendered with digital charcoal, giving me all the right energy and attitude. I bought Caught This For You and No Nightmares No Dreams because I instantly connected with them. I framed one of them in this Neon pink frame and it’s perfection. Ok now I want to go buy more...gotta go!
Jan 14, 2021
ousley does these really charming, folksy depictions of Appalachian life - sometimes informed by the occult and urban legends, sometimes just people in a liquor store parking lot, sometimes kids trick or treating. i love them.
Jan 24, 2024
My boyfriend came across these illustrations looking through a book of french fairytales (adorable) and thought I’d like them and I DO! They’re by Virgina Frances Sterrett and so so so dreamy.
Mar 31, 2025
Top Recs from @taterhole
My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebody—be it a relative or one of my best friends—was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too 💌
Feb 23, 2025
6d ago
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I’ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapid—a critique often rooted in misogyny—but now, the way we craft our online selves feels more like creating monuments.
We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretation—preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume.
On most platforms, validation often comes from how well you can curate and present your image—selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that there’s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. It’s refreshing to be part of a community that values thoughts over optics.
By sharing so few images of myself, I’ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentional—something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance.
For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. I’ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look.
In trying to be seen, are we making it harder for others to truly know us? It’s a question worth considering.
Dec 27, 2024