Related Recs

📗

slow down: the degrowth manifesto by kohei saito

an amazingly comprehensive, anti-capitalist read that tackles degrowth and ecofeminist ideals. (huge thanks to royallmonarch for bringing this read to my attention!) Saito doesn’t claim to have all the answers, but makes a case that prompts readers to think deeply about the link between the climate emergency and the preservation of the imperial core. he touches on how climate change and even some solutions for it disproportionately impact the global south, greenwashing, the feminization of poverty, the need to dissolve the current imperial mode of living and more. a must read for anyone interested in communism, the environment and feminism. i’ve always stressed nearly all social issues are interconnected, but had no idea how to formally put that into words. this book does a fantastic job of that with little academic jargon. (and so what if you have to look up a few definitions? you’re learning something!) a personal favorite line of mine comes towards the end, where climate justice is referred to as “the lever of revolution”. i hope people take the time to consider this as a read. extremely informative and enlightening 🌏

@deardoveswings

Jul 2, 2024

🌎

SLOW DOWN BY KOHEI SAITO

It’s earth day!!!! 10/10 encourage everyone to read Kohei Saito’s “Degrowth Manifesto.” capitalism is killing us all, let’s save the planet !!!!

@dj__cb

Apr 22, 2025

🛒

Quitting amazon

hear me out—this one might feel impossible, but i quit purchasing items on Amazon in 2018 and cancelled my GoodReads account shortly after. i did some serious reflection and realized i’d become super reliant upon, and frankly, quite used to the instant gratification of purchasing something and knowing i’d have it within a day. that’s not normal. the labor practices, economics, and environmental impacts of getting what you want from the internet delivered quickly and right to your door are skewed. i was filling a void in myself with mindless purchases. i’m aware that they service a huge swath of the internet (Amazon Web Services), own Whole Foods and Abe Books, and will likely take over more businesses we like and rely on. weaning off and avoiding entirely is very very hard, but it can also be a measured decision. that said, i know that it is a privilege to abstain from Amazon. i am able bodied, i don’t have kids, i have access to a car, i live in an urban environment with access to a lot of stuff at my fingertips. but making the choice to break out of the Amazon loop has ultimately been better for my pocketbook and better for my relationship to these mega-tech-companies that have their fingers in everything. in contrast, i’m becoming more interested in alternate economies, like bartering and sharing. i love the idea of having commonly shared tools and items (tool libraries are very cool). we don’t need to own it all, we have each other. interested in exploring more? the zine pictured below is a great start, and summarizes a much larger book by the same author on how to resist the leviathan that is Amazon.

@salad_valet

Jan 22, 2025

Top Recs from @royallmonarch

🌊

WATCHING MOVING WATER

just sit still and listen. drink it in.

@royallmonarch

5d ago

📴

DETACH from the algo, become an active participant in your own curation, form relationships to music, track your patterns

I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume

@royallmonarch

Feb 29, 2024

🚲

GOING ON A SUMMER SUNSET BIKE RIDE

many treats to be had

@royallmonarch

3d ago