this is my Surly Cross Check gravel bike that i’ve had for almost 3 years now. tires are Panaracer Gravel King semi-slick+. been loving it, I don’t take it on enough proper gravel rides though. mostly riding on pedestrian paths around where I live.
took this pic yesterday on a 35 mile ride through this nature area in rural Kentucky, right behind me was a little cemetery with the grave stones of coal miners that used to be in the area dating back to the early 1800s. love being able to hop on and just ride down whatever lil dirt road looks cool.
May 17, 2024
Related Recs
echoing skiphursh that surly is the move. this is an OLD photo of mine from like 3 years ago when i first had it built (wore out the lavender gravelkings, got black tires now), but this bike was my first big adult purchase after graduating undergrad and it's served me well since as a general use rider. would go out and do 20-30 miles regularly on mixed pavement/gravel. the frame is super easy to customize for like bottle cages or front/back racks, fits a good range of tire sizes, and is crazy durable, this thing is a tank. designed with touring in mind too.
cons would be weight since it's a steel fixed-frame, so don't expect to be lugging this with ease if you're touring fully loaded. not sure the exact weight but surly's site has all the specs. also on the fixed frame it can be a bit of a bumpy ride without shocks but i like feeling in tune with the bike or whatever, and a good saddle mitigates this IMO.
Feb 29, 2024
they don’t make the frame I have anymore (cross check) but I love my bike. it’s been my go to for 4+ years and I’m taking it on my first full fledged bikepacking trip later this spring. it’s got plenty of attachment points for kitting out and the clearance for big knobby tires is great
Mar 3, 2025
In 2021 I bought a shitty 80s road bike for about $300 from this guy named Richard who lives in Ditmas Park— I wrote about him here. This purchase sparked a love for biking that has become a borderline obsession ever since, and after validating that this hobby wouldn’t be short lived, I finally upgraded my bike last spring.
There are a dizzying amount of factors when it comes to selecting a bike, but at some point I caught the bikepacking bug from this lovely Instagram page @genosac. Their account is just a couple of people in Minneapolis who go on these weekend camping trips while riding through national forests, and they upload perfectly soundtracked edits that just radiate good times. It’s infectious.
I spend 95% of my time in New York City so I’m not sure how much bikepacking I’ll actually end up doing, but I ended up getting a “gravel bike” / “all terrain bike” from a smaller East Coast brand called Crust. The exact model is a lighter steel frame called the Lightning Bolt and a friend (@photo.realism) helped me pick out components + put it all together. I have it pretty decked out, but that’s nerd stuff that doesn’t belong here.
I love it, it’s my baby, and I’ve already put close to 500 miles on it since May. I’m constantly looking forward to my next ride whether it’s a 20 mile rip before work, a 10 minute errand ride, or an all-day beach adventure with friends. It gets me outside, keeps me in shape, gets me with friends, and shows me parts of the city that I probably would have never went on foot.
My loud n’ proud love of cycling has led to many a friend catching the bug as well, so let me know if you need any help or have questions. I’d love to pay it forward.
Aug 7, 2024
Top Recs from @royallmonarch
6d ago
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I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order.
so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data.
Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music.
so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites.
LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason.
aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume
Feb 29, 2024
4d ago