It’s hard to describe Theo Anthony’s films and do them justice. This one focuses on cameras, bias, and perception but like all his films, it is so much more than the sum of its parts
Kiarostami’s 1990 kinda doc kinda fiction exploration of filmmaking ethics, artistic desire, reasonable fraudulence, economic disparity and a whole lot else. How great is it to see something truly one of a kind? I am buzzing.
