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i have ~ 200 records in my collection (started in 2016 bc there was a record store at the mall i worked at, really ramped up in 2020 bc a record store ~20 min away is where i’d go for my lockdown sanity walks when things opened up but were still 6ft + masks at all time) and i love everything about it; they’re larger form factor so they’re physically imposing on your space and catch the eye easily bc of the artwork. they’re the oldest physical media but have made a comeback as niche collectibles, so you could ostensibly have an original pressing sun ra and the new sexyyred in the same collection. you can get them for pennies at an estate sale, or thousands on resale markets. they feel as expansive as music itself in what a collection can look like and how you sourced the library of what you listen to
only downside is you can’t burn vinyls the way you can cds or tapes :(
Mar 27, 2024

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you totally can burn vinyl with the right turntable, just play it into an audio interface and record it!
Mar 27, 2024
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royallmonarch game fucking changer
Mar 27, 2024
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alaiyo as long as it has RCA outputs on the back and you have right cables on hand you're solid
Mar 27, 2024
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royallmonarch i’ve got the AT-LP120XBT-USB, should have all the right connections… do you know where i can get blanks?
Mar 27, 2024
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alaiyo like blank CDs? you can get them pretty easily in bulk from office supply places or online
Mar 27, 2024

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I have a pretty decent sized vinyl collection, but by seeing a physical copy of the artists music is really cool to me. You don’t experience it as each song individually, but you experience the album in its entirety in order, and you get to see even more love put into it by the way the cover is arranged and sometimes they put in little trinkets to let you know that the artist really loves you.
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I have to be quite real. I love buying vinyls when I can. For me, there’s something really special about listening to an album on vinyl. It is such a comfort to me especially since I spend a lot of time alone. To me, I’m not just buying a physical item but an emotional experience that I can relive over and over again. To experience music in this way, to me, feels intimate and spiritual. I think it’s worth it. Maybe this is a really dramatic way for me to justify something silly. But it really makes me happy! Ps. another thing I love about vinyls that I forgot to mention is the ritual of it. I love clicking the start button and flipping it over when side a is done. Ok I’m done geeking out about it, thank you for reading.
May 16, 2025
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you really gotta rethink your relationship with music. I started buying records when I was a teenager and built up a pretty decent, curated collection over the years, but it’s really only worth it if you buy the albums you truly love and want to revisit over and over again. If you treat it like an extension of Spotify, where everything is available instantly, you will be broke and disappointed.
The other thing that people don’t tell you about buying vinyl is that it takes a lot of time. Buying used records is the cheapest way to build your collection, but that means rummaging through a lot of junk. This is fun! But it is also time consuming.
May 16, 2025

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a treatise on the attention economy - checked it out on libby and got through it over the course of a work day, a lot of really interesting social and cultural explorations about how time itself is the final frontier of hypercapitalism and what decommodification of our attention and time should look like
the book starts with a story about the oldest redwood tree in oakland and how the only reason it’s still standing is bc it’s unmillable, and how being uncommercializable is essential to our survival. it ends with an exploration of alt social media platforms (mostly p2p ones) and what keeping the good parts of the social internet and rejecting the bad ones should look like
all in all a super valuable read; my only nitpick with the book is that odell isn’t just charting the attention economy but also attempting to “solve” it and relate it back to broader concepts about labor and social organizing, but her background is in the arts which leads to some really wonderful references to drive the points home while also missing some critical racial + socioeconomic analyses that one would expect (or at least really appreciate) from the book she promises to deliver in the introduction. but this does also make the book easier to read which is good because everyone should definitely engage with what she has to say
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when i tell you the first sixty seconds of this video changed my life i need you to believe me. 10/10 strongly recommend especially amidst boycotting for palestine
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