waxahatchee barely civil gouge away shit present (2023, not new) olivia rodrigo deluxe songs made but not posted 8 tik toks for my band
Mar 24, 2024

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it's been another week so that means a lot of music! first time listens: ⋆ *NEW* billy woods - Not gonna say the name of the record because it's pretty offensive, but this is an amazing new album that I enjoyed a lot. It's so dense and claustrophobic with these crazy grimy and sample-heavy beats, all paired with billy woods rapping his ass off. Easily an AOTY contender for me, 9/10 for now but planning on listening more! ⋆ Brand New ~ The Devil And God Are Raging Inside Me - Can't believe I never checked out this album, it was really really good. Loving literally every song, especially Sowing Season, Limousine, and Not The Sun! what's been in rotation: ‣ The Smiths - HECK yeah ‣ Jeff Buckley - I put my mom on Jeff Buckley this week and she liked him! ‣ femtanyl - Every single song constantly on loop, I keep trying to find similar artists or songs but there's NOTHING :( ‣ Cameron Winter ~ Heavy Metal - Obviously. Geese band too ‣ BCNR ~ Ants From Up There - Obviously again ‣ Weatherday ~ Hornet Disaster - Still loving this record a couple months after release, definitely top 3 of the year for me. Just great noisy slacker rock all the way through ‣ Jane Remover ~ Revengeseekerz - Current favorite album of the year ‣ Adrianne Lenker - <3 ‣ Paris Texas - A few songs on repeat from the double EP, mostly infinyte, mudbone, and No Strings. Just really fun music! Looking forward to some more listening this upcoming week!!
May 16, 2025
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what i was turning my mind into static with in 2024: foxes in fiction - antibody venturing - sister and halloween(full album in 2025 i'm hype) Punchlove - birdsong and screwdriver Total Wife - still asleep Tobias - foresight 22 Lip Critic - The Heart shower curtain - wish you well jane remover - dream sequence full body 2 - wonder limit Frost Children & Haru Nemuri - Burn catholic school - mine again
Dec 31, 2024
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i have been pretty much exclusively listening to albums lately and have been ignoring my playlists. some of the recents are i got heaven by mannequin pussy, extra life by crushed, underdressed at the symphony by faye webster, to enjoy is the only thing and i get into trouble by maple glider, beside myself and alas by lily seabird, aggie miller by aggie miller, i’m green by mali velasquez, and god‘s trashmen sent to right the mess by fievel is glaque. this is basically just me reccing my current favorite albums butttt

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The first single from Winter Boyfriend from the upcoming album set a, frankly, very different note. 'anx/bodies' is an outlier for us, musically and lyrically, but when putting the final touches to the album it was one of the songs that people seemed instinctively to engage with if they weren't broadly invested in our main thing, essentially indie/indie-punk made by a would-be emo band. At the very least it provoked a reaction. It's a song inspired by a very specific series of events but is not specifically autobiographical. Outside of the world of this song i am much less forward about sex. I enjoy being 'too much' with friends but i really don't want it going anywhere my family might hear it. Repression is fun! I often wonder if that's similar to what actors feel when doing nudity or whatever. It's a case of, "I don't want to know you've seen me experience that?" Anyway, honesty can help in art, but also maybe so too does a little internal repression. It was written about a memory of going to a university disco, arriving at the club where everyone was looking hot and cool, and i suddenly becoming very aware of my inability to be calm. It is essentially about over-stimulation and amorousness and the confusion of that smashing like a wrecking ball through any semblance of chill i might have had. The verse bass riff is really old, easily over 10 years old. I wrote it for a different project, a Death From Above 1979 rip-off thing, and my pal Martin played bass, while i sang and drummed. The song was unremarkable but the riff was cool. There was no way i wasn't keeping it. Also, it explains why it's the only song that uses a fuzz bass tone. Yet. I have no idea when i came up with the guitar riff but it's one of my favourite parts i've written. It's rythmic and a little bit dissonant, but i think the G# implies an E Major chord, making it A minor natural (sorry music theory experts, probably butchering this). I was also unsure if i could allow myself to write the chorus which used power chords. It always feels too basic. But it worked in the context of the song. I finished it years ago aside from a few lyrical tweaks and the introduction sound (chord played, tremolo arm depressed as it fades out, recorded and reversed). Also when mixing the song my references were very different and included a lot of 00s and 10s music, including bands that have been grandfathered into the whole 'indie-sleaze' thing, and it made me realise the second verse needed, nay demanded!, a cowbell and some percussion (the other percussion is drumming on glass bottles fyi). I feel like 'anx/bodies', and the song that follows it, 'on our way home', are two sides of the same coin. One uptight, repressed yet explosive, and the other unrelenting, desperate and flailing. You could almost imagine the latter being later in the same night, getting existential when worse-for-wear. More on that one later.
Jun 19, 2024