Rec
setting a timer for ~20 minutes and just writing without stopping until the timer goes off is *really* good - because at the end of it you have a draft you can revise, which i think is easier and feels a lot more like making progress than emotionally preparing to write something you might not like.
dan harmon has this quote that i think was really helpful to getting me to see the value of just getting the reps in (without all the self-loathing):
*âMy best advice about writerâs block is: the reason youâre having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since itâs the conflict BETWEEN the two forces blocking you, if you simply change your goal from âwriting wellâ to âwriting badly,â you will be a veritable fucking fountain of materialâŚProve it. It will go faster. And then, after you write something incredibly shitty in about six hours, itâs no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it.â*
dan harmon has this quote that i think was really helpful to getting me to see the value of just getting the reps in (without all the self-loathing):
*âMy best advice about writerâs block is: the reason youâre having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since itâs the conflict BETWEEN the two forces blocking you, if you simply change your goal from âwriting wellâ to âwriting badly,â you will be a veritable fucking fountain of materialâŚProve it. It will go faster. And then, after you write something incredibly shitty in about six hours, itâs no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it.â*
Mar 22, 2024
Related Recs
Rec
đUnfortunately there's no solution that works for everyone all the time. (If there was, I'd be published by nowđ.) BUT here are some things that I sometimes do to try and conquer the block:
â˘Let it sizzle: This is my least favorite suggestion, so I'm getting it out of the way first. Sometimes that project/idea/etc. needs time to marinate before you can keep going. This is especially a good idea if you've been working at it relentlessly, and possibly grown fatigue. If it loses its novelty and stops impressing you, you're gonna be less inclined to WANT to keep going. Leave that doc alone for a week or two, and return when your mind is fresh. Sometimes you'll get lucky and find inspiration/have a shower thought that prompts you to go back.
â˘Put canon aside for a sec: Start with a writing prompt. This can be a one word prompt, or an absolutely ridiculous scenario to put your character in. Allow yourself to write a non-canonical or semi-canonical snippet/oneshot around this prompt. This is something I usually do begrudgingly, but it HAS helped me get in my characters' heads, further establish their voices and mannerisms, and learn a lot about how my worlds operate outside of The Plot.
â˘Delete the section that's stumping you and rewrite it from memory: This is a weird one, but it's helped me before. If you're stuck and can't move forward from a particular spot, it might help to (momentarily) cut the text out. Attempt to rewrite it from memory, and see where it takes you. It may land you in the same dead end, but every so often you'll end up with something better than before.
â˘Write out of order (write what you want): I always do this anyway, but mad respect to anyone who's structured enough to NOT jump around all the time. But uh... this is sometimes what you NEED to do, I think. I've started writing where I can, and putting placeholders like <THIS HAPPENS> <TIME PASSES> <IDK WHAT'S NEXT> where I can't. Sometimes, by skipping around and writing that one special scene, I simultaneously create the context needed to fill in some of those gaps.
â˘Change up your text, visually: I think this is a tip I saw on Tumblr of all places. Taking what you've written and changing the font is something that will quite literally alter the way you look at the text in front of you. Nothing may come of it, but it may psychologically trick you into reading it from a different perspective. Try a more whimsical font, or one that matches the tone and theme of the work. Make it bigger. Smaller. Change the color. Change the background color. You never know what might helpđ¤ˇââď¸
â˘Make a playlist: This actually hurts me more than it helps, because I'll focus on doing stuff like this OVER writing my thing. But it can be fun to make a playlist of songs that remind me of my story. Whether that's songs to embody my characters and their personalities, songs that I think they'd listen to, songs that fit the mood and ambiance of my story, songs that remind me of certain scenes or locations, songs that would play in a theoretical soundtrack/AMV, etc.!!! Once you've compiled 'em, listening through could conjure up ideas to get you back in the game. Doesn't hurt to give it a go!
â˘Watch or read something in the same genre: I'm not encouraging plagiarism or anything, but am saying that reading "Frankenstein" and watching "Nosferatu" really put me in the mood and mindset to forge on with my gothic horror novel. My mind was RACING with macabre inspiration. I think this sort of ties in with the playlist suggestion for that reason.
â˘Devote a notebook or bullet journal to this project: Use it for EVERYTHING except writing the actual work. Give yourself ten minutes to write as complete of an outline as you can. Make a list of everything that's stumping you. Be CANDID: admit when you're having a hard time growing fond of a certain character, or fitting in a certain scene, or overcoming a plothole. Make a list of all the things you need to research. Brainstorm dialogue. Paste in pictures from magazines that remind you of your world and characters. Go crazy!
Ultimately it's hard to know what will and won't work to get you out of your slump. Sometimes it feels like you'll never make it through. Every writer is different, and what works like a charm for one person can actively harm another's creative process. But keep trudging on, and look for inspiration everywhere. I believe in you, and wish you luck on your journey!
â˘Let it sizzle: This is my least favorite suggestion, so I'm getting it out of the way first. Sometimes that project/idea/etc. needs time to marinate before you can keep going. This is especially a good idea if you've been working at it relentlessly, and possibly grown fatigue. If it loses its novelty and stops impressing you, you're gonna be less inclined to WANT to keep going. Leave that doc alone for a week or two, and return when your mind is fresh. Sometimes you'll get lucky and find inspiration/have a shower thought that prompts you to go back.
â˘Put canon aside for a sec: Start with a writing prompt. This can be a one word prompt, or an absolutely ridiculous scenario to put your character in. Allow yourself to write a non-canonical or semi-canonical snippet/oneshot around this prompt. This is something I usually do begrudgingly, but it HAS helped me get in my characters' heads, further establish their voices and mannerisms, and learn a lot about how my worlds operate outside of The Plot.
â˘Delete the section that's stumping you and rewrite it from memory: This is a weird one, but it's helped me before. If you're stuck and can't move forward from a particular spot, it might help to (momentarily) cut the text out. Attempt to rewrite it from memory, and see where it takes you. It may land you in the same dead end, but every so often you'll end up with something better than before.
â˘Write out of order (write what you want): I always do this anyway, but mad respect to anyone who's structured enough to NOT jump around all the time. But uh... this is sometimes what you NEED to do, I think. I've started writing where I can, and putting placeholders like <THIS HAPPENS> <TIME PASSES> <IDK WHAT'S NEXT> where I can't. Sometimes, by skipping around and writing that one special scene, I simultaneously create the context needed to fill in some of those gaps.
â˘Change up your text, visually: I think this is a tip I saw on Tumblr of all places. Taking what you've written and changing the font is something that will quite literally alter the way you look at the text in front of you. Nothing may come of it, but it may psychologically trick you into reading it from a different perspective. Try a more whimsical font, or one that matches the tone and theme of the work. Make it bigger. Smaller. Change the color. Change the background color. You never know what might helpđ¤ˇââď¸
â˘Make a playlist: This actually hurts me more than it helps, because I'll focus on doing stuff like this OVER writing my thing. But it can be fun to make a playlist of songs that remind me of my story. Whether that's songs to embody my characters and their personalities, songs that I think they'd listen to, songs that fit the mood and ambiance of my story, songs that remind me of certain scenes or locations, songs that would play in a theoretical soundtrack/AMV, etc.!!! Once you've compiled 'em, listening through could conjure up ideas to get you back in the game. Doesn't hurt to give it a go!
â˘Watch or read something in the same genre: I'm not encouraging plagiarism or anything, but am saying that reading "Frankenstein" and watching "Nosferatu" really put me in the mood and mindset to forge on with my gothic horror novel. My mind was RACING with macabre inspiration. I think this sort of ties in with the playlist suggestion for that reason.
â˘Devote a notebook or bullet journal to this project: Use it for EVERYTHING except writing the actual work. Give yourself ten minutes to write as complete of an outline as you can. Make a list of everything that's stumping you. Be CANDID: admit when you're having a hard time growing fond of a certain character, or fitting in a certain scene, or overcoming a plothole. Make a list of all the things you need to research. Brainstorm dialogue. Paste in pictures from magazines that remind you of your world and characters. Go crazy!
Ultimately it's hard to know what will and won't work to get you out of your slump. Sometimes it feels like you'll never make it through. Every writer is different, and what works like a charm for one person can actively harm another's creative process. But keep trudging on, and look for inspiration everywhere. I believe in you, and wish you luck on your journey!
Jul 15, 2025
Rec
âď¸I write lyrics/poems/prose/essays/the occasional substack/text based art/performance art and the most successful process I've found works for me is just 'hold a pen and hope that it happens'. I can't get any real ideas done on a laptop (my substacks are all drafted in bullet points by hand first). I don't write every day because I don't have the energy or time or enough that is important to say. I only write when I really get the urge in my fingertips and then I get my notebook and just open the page and get whatever out I can. Sometimes it's an idea I've been mulling over that finally comes out and others it's just nonsense sentences that eventually form something.
Basically my advice if you're struggling to get started is just whenever you think you want to do it, just hold a pen and a blank piece of paper and just do it. Maybe it'll be brilliant from the off. First lines are hard so don't worry about it if it's not, fourth lines are where it gets good. I definitely produce 70/30 shit/good writing and that's okay because who's reading it??
Also sometimes you go back a few months later and realise that what you thought was terrible was actually great all along it just needed a different context!
Rec
âď¸I was told when I started that you just had to be disciplined and do it regularly until itâs as necessary for you as brushing your teeth.
I was also told the really good writing/insight happens after youâve written the surface stuff away. Like you gotta write everything that comes to mind, throw that away, and then everything after that, which is usually much more difficult, is actually good journaling.
I was also told the really good writing/insight happens after youâve written the surface stuff away. Like you gotta write everything that comes to mind, throw that away, and then everything after that, which is usually much more difficult, is actually good journaling.
Apr 27, 2024
Top Recs from @alaiyo
Rec
a treatise on the attention economy - checked it out on libby and got through it over the course of a work day, a lot of really interesting social and cultural explorations about how time itself is the final frontier of hypercapitalism and what decommodification of our attention and time should look like
the book starts with a story about the oldest redwood tree in oakland and how the only reason itâs still standing is bc itâs unmillable, and how being uncommercializable is essential to our survival. it ends with an exploration of alt social media platforms (mostly p2p ones) and what keeping the good parts of the social internet and rejecting the bad ones should look like
all in all a super valuable read; my only nitpick with the book is that odell isnât just charting the attention economy but also attempting to âsolveâ it and relate it back to broader concepts about labor and social organizing, but her background is in the arts which leads to some really wonderful references to drive the points home while also missing some critical racial + socioeconomic analyses that one would expect (or at least really appreciate) from the book she promises to deliver in the introduction. but this does also make the book easier to read which is good because everyone should definitely engage with what she has to say
will definitely be revisiting
the book starts with a story about the oldest redwood tree in oakland and how the only reason itâs still standing is bc itâs unmillable, and how being uncommercializable is essential to our survival. it ends with an exploration of alt social media platforms (mostly p2p ones) and what keeping the good parts of the social internet and rejecting the bad ones should look like
all in all a super valuable read; my only nitpick with the book is that odell isnât just charting the attention economy but also attempting to âsolveâ it and relate it back to broader concepts about labor and social organizing, but her background is in the arts which leads to some really wonderful references to drive the points home while also missing some critical racial + socioeconomic analyses that one would expect (or at least really appreciate) from the book she promises to deliver in the introduction. but this does also make the book easier to read which is good because everyone should definitely engage with what she has to say
will definitely be revisiting
