Related Recs

😃

step one: surrender

you’re right, it is the work of your 20s (and 30s…..and 40s….) to figure out what “cool” means and how to embody that for yourself. you’re right on schedule! I highly recommend taking the search offline almost entirely + not forcing it. think about the coolest people you actually know in person. what traits of theirs classify them this way? the more you start looking for traits you admire in the people around you, the more you’ll find yourself weaving your version of that into your life. we’re all tapestries of the people that have made us. also, you write: “i often feel far more fixated on appearing “correctly” than most” -- feelings are not facts and I can assure you that everyone else is also just as internally focused. start looking for the ways you ARE connected and similar or even the exact same as the people around you — social cohesion is the key to being cool, and there are always more similarities to be found.

@its_just_kate

Nov 18, 2024

😃

The coolest thing you can do is be yourself

Trite bit true! Consider the people you think are cool. I bet they aren’t doing the same thing as everyone else.

@bee1000

Oct 22, 2024

❤️

You are only mundane to yourself because you are so familiar— to everyone else you are new

Firstly, I’m so sorry you’re feeling that way— that’s really crummy, and I’m sure that once you feel that way everything feels like confirmation of being unspecial. But in a very very real way, you might be bored with yourself because you know yourself so well— other people don’t know you. You could walk into a bar or a cafe or an event and you would be new to at least one person there. If you feel like you aren’t interesting conversationally, are you a good listener? In a very honest way, the people I’ve found hottest and most intriguing are always good listeners, and people who are quiet and incisive. It’s okay if you don’t talk on and on; a lot of “interesting” people are just filling space with noise. Noise is always briefly exciting or interesting, but that doesn’t mean it has substance or adds value. Trust me on this, I’m a performer and frankly so many nights I’m just making noise. So first piece of advice is, approach yourself as if you were a stranger— look at everything about you like you’ve never ever seen it before, and start to notice what you like. Then build on those things. Like, it’s okay if you hate your clothes, but do you have one jacket/shirt/earring that you love? Wear that so much, and slowly look out for pieces that make you feel like the thing you love— it’s okay if it takes time, the outfits that make me feel dynamic are all cobbled together from stuff I found over years. Then look at other people, what do you find interesting about them? I am a knockoff of every woman I ever thought was cool— my summer camp counselor, my gender studies TA from my first year of college, my mom, and literally everyone else. That’s okay though, mimicking what you like is a way of developing your taste, and you will put yourself together in a way that’s a little different and totally your own. It’s okay if it takes time— sometimes we have seasons where we don’t like ourselves a ton, but they do pass, and who you will be in a year is a brand new person— you haven’t met them yet, and you might love them. Tiny practical advice? Go for walks; it’s good for your body, it releases endorphins, and it gives you a chance to people watch/observe nature. Read something small; it can be a single poem, or an essay, or a children’s book— I love Howl’s Moving Castle and if I’m feeling stuck in a rut I read that, even though it’s a children’s book. If reading isn’t your thing watch a movie or a TV episode, but whatever you consume, watch it and take notes, like you‘re a secret critic— note what you liked, whether it’s costumes or language or the vibe, and what you didn’t, and then you can find more things like it— that’s how you develop your own taste, and it’s a good way to develop language around art and media. All critics and essayists and everyone whose job is to write interestingly about art started with shit they liked in middle school, and built on that to find their own language— you can do that too. Sorry for the hugely long post, but I promise that you are more interesting than you give yourself credit for, and there are people in the world who will see that.

@nadiyaelyse

Feb 19, 2024

Top Recs from @royallmonarch

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WATCHING MOVING WATER

just sit still and listen. drink it in.

@royallmonarch

5d ago

📴

DETACH from the algo, become an active participant in your own curation, form relationships to music, track your patterns

I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume

@royallmonarch

Feb 29, 2024

🚲

GOING ON A SUMMER SUNSET BIKE RIDE

many treats to be had

@royallmonarch

3d ago