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"Crocodiles," the debut album -- amazing to think it was recorded/released in 1980 -- is everything you loved about the Doors and Velvets but without the Mojo Risin or Uncle Lou hangover. Ian McCulloch's voice is a once-in-a-generation instrument and "Going Up," "Monkeys" and "Rescue" point the way to a bunch of indie-guitar overcoat rock that came later. "Heaven Up Here" followed in 1981 and is even darker and druggier, if possible - "A Promise" might be my favorite Echo-tune ever. "Light on the waves" -- somehow hopeful even amidst the shade of Thatcher-era Britain.
Jan 16, 2024
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kinda new wave echo & the bunnymen energy, especially the acoustic guitar sounds - yet in a more medieval context. the singer has a stevie nicks / the sundays angelic witchy quality
Jul 22, 2024
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Bon appetit!
Mar 21, 2025
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This is one of the greatest proto-psych rock albums of all time. 1971. Bunch of 1st generation black British dudes from former colonies. Crazy album and crazy story. They disappeared as the album was nearing completion. There was no follow up album, no nothing, they never reappeared. The name of the album comes from the fact that the label decided to put the music out after not being able to find them for a while because it was so good that âWe Had To Let You Have Itâ. I know this because I have an original copy on vinyl and there is a handwritten note printed on a piece of paper inside the sleeve.
The track âRainâ is for my money one of the best songs written in this genre from that era. If they had been a popular band, I think it would be considered a classic.
Also, I dare you to listen to the song âThe Systemâ and tell me Lynyrd Skynyrd didnât lift the main lick of the Free Bird solo from it. Yeah, I said it.
Jan 23, 2024
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Hey tyler hopefully this doesnât violate some PI.FYI golden rule
But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here:
https://hozacrecords.com/product/aifl/
The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s.
Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha).
For those of you who are into this kind of geekery/snobbery, I canât wait to hear what you think. A labor of love, as all books are! â¤ď¸
Mar 27, 2024
âSongs Of a Lost Worldâ coming to a goth listening station near you Nov 1 đ¤
The fr FW Me Friday the 13th the world was looking for
Sep 14, 2024
I will fail to explain just how much this band meant to me in the 90s.
So I will borrow from AV Club who did a fine job of distilling it:
âUnwound is the best band of the â90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesnât say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasnât stridently anything. It was only itself. In one sense Unwound was the quietest band of the â90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.â
R.I.P. Vern Rumsey.
This is their finest song, from their finest album.
I really canât say enough about the sheer bloody minded genius of this group. đ¤
Mar 23, 2024