Most people will tell you this is lunch not breakfast, they're wrong.
Nov 28, 2023
Related Recs
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i don't live in england and i never have. but when i go to visit family i will find an excuse to be at an everyman it is maybe the fanciest cinema i've ever been to and the experience i had when i saw all of us strangers there fundamentally changed me
the only thing i don't rate is the 30 minutes of adverts
Dec 23, 2024
I haven't been in NYC for that long but I've found that the well for film in NYC is pretty deep and you can really find anything you are looking for on a given night. Obscure, Foreign, Indie, Cult Classic, whatever.
Screen Slate is a good resource to find whats playing where all around the city.
I would also suggest following a lot of the theaters on ig and they will have posts about showings that might pique your interest.
Spectacle and Film Noir are pretty cool screening rooms in BK that are pretty low key and DIY if you are looking for an interesting night out.
Finally, getting a membership to metrograph, ifc or film forum is a good option if you go to one of them and like it. Reduced prices go along way if you are going to a theater pretty frequently.
Apr 22, 2024
Buckle up, kkelmyss.
There are two film formats still projected in theaters today: 35mm and 70mm (aka 65mm).
35mm was repurposed from Kodak's 135 photographic film standard. Instead of running the film horizontally behind the lens, it was run vertically. This enabled more exposures per foot of film at less resolution. But as cinema grew in popularity, the desire for cleaner images and higher resolutions also grew. Larger exposure area was necessary to achieve this.
Cinerama was a cumbersome, yet impressive, short-lived solution. This standard required three synchronized 35mm cinema cameras to record the movie and three synchronized 35mm projectors to display the three separate film reels as one large-format ultra-wide image. Insane and beautiful.
VistaVision was a simpler solution. It simply rotated the 35mm film 90 degrees and ran it horizontally behind the lens like still cameras. This significantly increased the exposure area and thus the resolution. VistaVison was only relevant for about 10 years but laid the groundwork for future innovation. The format was famously used by ILM for its renowned special effects, starting with Star Wars. And was resurrected last year to film The Brutalist.
70mm was the straight forward answer to increasing exposure areaβjust make the film bigger. This standard was run vertically past the lens like standard 35mm and offered nearly double the resolution. 65mm film is actually used for shooting and the finished movie is transferred to 70mm film for projecting. The terms are used interchangeably because they both contribute the finished product. Lawrence of Arabia is a notable film shot using 70mm to accommodate its ultra-wide vistas.
IMAX 70mm took inspiration from VistaVision. It rotates 70mm film 90 degrees and runs it horizontally behind the lens further increasing the exposure area and putting it within spitting distance of medium format photography. These are big-ass exposures. It's dramatically more expensive to shoot and project movies in this format. But it produces a gorgeous high-resolution image. And gives Christopher Nolan a huge hardon.
Acquisition formats vary for movies. But when it comes to projection, there are predominantly only two film formats today. You're most likely to find a standard 35mm projector at your local independent theater. IMAX 70mm is the other and it's even rarer. Standard 70mm projection rarer still.
Feb 11, 2025
Top Recs from @joshdominguez
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My good friend got me into it after tagging along with him to a zine swap and I'm hooked
Dec 29, 2023
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Some of the most beautiful music
Dec 29, 2023
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Absolute bargain no misses.
Nov 28, 2023