Tarkovsky is arguably the greatest filmmaker of all time and, for me, Andrei Roublev is his greatest film. Every single shot in this film is a masterpiece - every frame, every camera move, every chiaroscuro effect. It tells the story of one of Russia’s greatest religious icon painters, but in such a ramshackle way that it becomes an allegory of the creative process and what it means to be an artist. The film surprises at every turn – not a single moment is predictable. The final scene is one of the greatest endings in all of cinema, right up there with the end of Lars Von Trier’s Melancholia and the end of Robert Bresson’s The Devil Probably.